Samuel Boyd of Catchpole Square: A MysteryFarjeon, B. L. (Benjamin Leopold)
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Samuel Boyd of Catchpole Square: A Mystery
Farjeon, B. L. (Benjamin Leopold)
Detective and mystery stories; London (England) -- Fiction
The secret of the coloured chalks was this. Not long ago there lived
in the house an artist who strove to earn a living by painting on the
pavements of the city the impossible salmon and the equally impossible
sunset. But though he used the most lurid colours he did not find
himself appreciated, and, taking a liking to Gracie, he poured into
her ears tales of disappointed ambition and unrecognised genius, to
which she listened with sympathetic soul. Emulous of his gifts she
coaxed him into giving her a few lessons, and in a short time could
also paint the impossible salmon and the equally impossible sunset.
One day he said, "Gracie, I am leaving this wretched country, which is
not a country for artists. I bequeath to you my genius and my stock of
coloured chalks. But do not deceive yourself; they will bring you only
disappointment, and do not blame me if you die unhonoured, and unwept,
and unsung." With these despairing words he bade her an affectionate,
if gloomy, farewell. Gracie did not share his despair, and had little
understanding of the words in which it was expressed. The legacy was a
God-send to her and to the children whom she would enthral with her
flights of imagination, with coloured illustrations on the deal table.
She related to them now some weird tale of a beautiful young
princess--(behold the beautiful young princess, with vermilion lips
and cheeks, green eyes starting out of her head, and yellow hair
trailing to her heels)--and a gallant young prince--(behold the
gallant young prince, with vermilion lips and cheeks, staring green
eyes, and yellow hair carefully parted in the middle)--mounted on a
fiery steed--(behold the fiery steed, its legs very wide apart, also
with green eyes, vermilion nostrils, and a long yellow tail)--who,
with certain wicked personages, went through astounding adventures,
which doubtless would all have come right in the end had Gracie not
been seized with a fit of coughing so violent that she fell back in
her chair, spasmodically catching and fighting for her breath.
Two persons mounted the stairs at this crisis, a man and a woman, and
both hastened their steps at these sounds of distress. Mrs. Death
flung the door open and hastened to Gracie's side not noticing Dick,
who followed her.
"My dear child--my dear child!" said Mrs. Death, taking her clammy
hand and holding the exhausted girl in her motherly arms.
"I'm all right, mother," gasped Gracie, presently, regaining her
breath. "Don't you worry about me. There--I'm better already!" She was
the first to see Dick, and she started up. "Mother--look! The
gentleman from the police station! Have you found father, sir?"
"I beg your pardon for intruding," said Dick to the woman. "I came to
speak to you, and when I was wondering which part of the house you
lived in I heard your little girl coughing, and I followed you
upstairs." He gazed in amazement at the astonishing pictures on the
table. "Did Gracie draw these?"
Public-domain text, read in full here on John Shaqi.
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