Samuel F. B. Morse, His Letters and Journals: In Two Volumes, Volume I.Morse, Samuel Finley Breese
History
Samuel F. B. Morse, His Letters and Journals: In Two Volumes, Volume I.
Morse, Samuel Finley Breese
Morse, Samuel Finley Breese, 1791-1872; Telegraph
"I have talked with Aunt Bartlett about getting you a bonnet. She says
that it is no time to get a fashionable winter bonnet in Boston now, and
that it would be much better if you could get it in New York, as the
Bostonians get their fashions from New York and, of course, much later
than we should in New Haven. She thinks that white is better than blue,
etc., etc., etc., which she can explain to you much better than I can.
She is willing, however, to get you any you wish if you still request it.
She thinks, if you cannot wait for the new fashion, that your black
bonnet put into proper shape with black plumes would be as _tasty_ and
fashionable as any you could procure. I think so, too. You had better
write Aunt particularly about it."
While Morse had conscientiously tried to put the best of himself into the
painting of portraits, and had succeeded better than he himself knew, he
still longed for wider fields, and in November, 1821, he went to
Washington, D.C., to begin a work which he for some time had had in
contemplation, and which he now felt justified in undertaking. This was
to be a large painting of the House of Representatives with many
portraits of the members. The idea was well received at Washington and he
obtained the use of one of the rooms at the Capitol for a studio, making
it easy for the members to sit for him. It could not have been all plain
sailing, however, for his wife says to him in a letter of December 28,
1821: "Knowing that perseverance is a trait in your character, we do not
any of us feel surprised to hear you have overcome so many obstacles. You
have undertaken a great work.... Every one thinks it must be a very
popular subject and that you will make a splendid picture of it."
Writing to his wife he says:--
"I am up at daylight, have my breakfast and prayers over and commence the
labors of the day long before the workmen are called to work on the
Capitol by the bell. This I continue unremittingly till one o'clock, when
I dine in about fifteen minutes and then pursue my labors until tea,
which scarcely interrupts me, as I often have my cup of tea in one hand
and my pencil in the other. Between ten and eleven o'clock I retire to
rest. This has been my course every day (Sundays, of course, excepted)
since I have been here, making about fourteen hours' study out of the
twenty-four.
"This you will say is too hard, and that I shall injure my health. I can
say that I never enjoyed better health, and my body, by the simple fare I
live on, is disciplined to this course. As it will not be necessary to
continue long so assiduously I shall not fail to pursue it till the work
is done.
"I receive every possible facility from all about the Capitol. The
doorkeeper, a venerable man, has offered to light the great chandelier
expressly for me to take my sketches in the evening for two hours
together, for I shall have it a candlelight effect, when the room,
already very splendid, will appear ten times more so."
Public-domain text, read in full here on John Shaqi.
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