Samuel F. B. Morse, His Letters and Journals: In Two Volumes, Volume I.Morse, Samuel Finley Breese
History
Samuel F. B. Morse, His Letters and Journals: In Two Volumes, Volume I.
Morse, Samuel Finley Breese
Morse, Samuel Finley Breese, 1791-1872; Telegraph
[Footnote 1: Orders in Council were issued by the sovereign, with the
advice of the Privy Council, in periods of emergency, trusting to their
future ratification by Parliament. In this case, while promulgated as a
retaliatory measure against Bonaparte's Continental System, they bore
heavily upon the commerce of the United States.]
"Bankruptcies are daily increasing and petitions from all parts of the
Kingdom, praying for the repeal of the Orders in Council, have been
presented to the Prince, but he has declined hearing any of them. Also
the Catholic cause remains undecided, and he refuses hearing anything on
that subject. But no more of politics. I am sure you must have more than
sufficient at home.
"I will turn to a more pleasant subject and give you a slight history of
the American artists now in London.
"At the head stands Mr. West. He stands and has stood so long preëminent
that I could relate but little of his history that would be new to you,
so that I shall confine myself only to what has fallen under my own
observation, and, of course, my remarks will be few.
"As a painter Mr. West can be accused of as few faults as any artist of
ancient or modern times. In his studies he has been indefatigable, and
the result of those studies is a perfect knowledge of the philosophy of
his art. There is not a line or a touch in his pictures which he cannot
account for on philosophical principles. They are not the productions of
accident, but of study.
"His principal excellence is considered composition, design, and elegant
grouping; and his faults were said to be a hard and harsh outline and bad
coloring. These faults he has of late in a great degree amended. His
outline is softer and his coloring, in some pictures in which he has
attempted truth of color, is not surpassed by any artist now living, and
some have even said that Titian himself did not surpass it. However that
may be, his pictures of a late date are admirable even in this
particular, and it evinces that, if in general he neglected that
fascinating branch of art in some of his paintings, he still possesses a
perfect knowledge of all its artifices. He has just completed a picture,
an historical landscape, which, for clearness of coloring combined with
grandeur of composition, has never been excelled.
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