Sandra Belloni (originally Emilia in England) — CompleteMeredith, George
General
Sandra Belloni (originally Emilia in England) — Complete
Meredith, George
English fiction -- 19th century
“I thought you must be pointing to her advancement.”
“I confess it was not in my mind.”
“In what consisted the singularity, then?”
“The singularity?”
“You prefaced your remarks with the exclamation, 'Singular!'”
Laura showed that Arabella had passed her guard. She hastened to
compliment her on her kindness to Emilia, and so sheathed her weapon for
the time, having just enjoyed a casual inspection of Mrs. Chump entering
the room, and heard the brogue an instant.
“Irish!” she whispered, smiling, with a sort of astonished discernment
of the nationality, and swept through the doorway: thus conveying
forcibly to Arabella her knowledge of what the ladies of Brookfield were
enduring: a fine Parthian shot.
That Cornelia should hold a notable county man, a baronet and owner of
great acres, in a state between acceptance and rejection, was considered
high policy by the ladies, whom the idea of it elevated; and they
encouraged her to pursue this course, without having a suspicion, shrewd
as they were, that it was followed for any other object than the honour
of the family. But Mr. Pole was in the utmost perplexity, and spoke of
baronets as things almost holy, to be kneeled to, prayed for. He was
profane. “I thought, papa,” said Cornelia, “that women conferred the
favour when they gave their hands!”
It was a new light to the plain merchant. “How should you say if a
Prince came and asked for you?”
“Still that he asked a favour at my hands.”
“Oh!” went Mr. Pole, in the voice of a man whose reason is outraged.
The placidity of Cornelia's reply was not without its effect on him,
nevertheless. He had always thought his girls extraordinary girls,
and born to be distinguished. “Perhaps she has a lord in view,” he
concluded: it being his constant delusion to suppose that high towering
female sense has always a practical aim at a material thing. He was no
judge of the sex in its youth. “Just speak to her,” he said to Wilfrid.
Wilfrid had heard from Emilia that there was a tragic background to this
outward placidity; tears on the pillow at night and long vigils. Emilia
had surprised her weeping, and though she obtained no confidences, the
soft mood was so strong in the stately lady, that she consented to weep
on while Emilia clasped her. Petitioning on her behalf to Wilfrid for
aid, Emilia had told him the scene; and he, with a man's stupidity,
alluded to it, not thinking what his knowledge of it revealed to a
woman.
“Why do you vacillate, and keep us all in the dark as to what you mean?”
he began.
“I am not prepared,” said Cornelia; the voice of humility issuing from a
monument.
“One of your oracular phrases! Are you prepared to be straightforward in
your dealings?”
“I am prepared for any sacrifice, Wilfrid.”
“The marrying of a man in his position is a sacrifice!”
“I cannot leave papa.”
“And why not?”
“He is ill. He does not speak of it, but he is ill. His actions are
strange. They are unaccountable.”
Public-domain text, read in full here on John Shaqi.
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