He stopped again and stood staring intently before him. Then he took
the lamp and slipped down the back stairs and out the side door.
The snow was trampled about the window and for some space beyond it.
The tracks had been followed to the river, the eager searchers keeping
well away from the tell-tale footsteps in order not to obliterate
them. Sandy knelt in the snow and held his lamp close to the single
trail. The print was narrow and long and ended in a tapering toe.
Ricks's broad foot would have covered half the space again. He jumped
to his feet and started for the house, then turned back irresolute.
When he entered his little room again the slender footprints had been
effaced. He put the lamp on the bureau, and looked vacantly about him.
On the cushion was pinned a note. He recognized Ruth's writing, and
opened it mechanically.
There were only three lines:
I must see you again before I leave. Be sure to come to-night.
The words scarcely carried a meaning to him. It was her brother that
had shot the judge--the brother whom she had defended and protected
all her life. It would kill her when she knew. And he, Sandy Kilday,
was the only one who suspected the truth. A momentary temptation
seized him to hold his peace; if Ricks were caught, it would be time
enough to tell what he knew; if he escaped, one more stain on his name
might not matter.
But Carter, the coward, where was he? It was his place to speak. Would
he let Ricks bear his guilt and suffer the blame? Such burning rage
against him rose in Sandy that he paced the room in fury.
Then he re-read Ruth's note and again he hesitated. What a heaven of
promise it opened to him! Ruth was probably waiting for him now.
Everything might be different when he saw her again.
All his life he had followed the current; the easy way was his way,
and he came back to it again and again. His thoughts shifted and
formed and shifted again like the bits of color in a kaleidoscope.
Presently his restless eyes fell on an old chromo hanging over the
mantel. It represented the death-bed of Washington. The dying figure
on the bed recalled that other figure down-stairs. In an instant all
the floating forms in his brain assumed one shape and held it.
The judge must be his first consideration. He had been shot down
without cause, and might pay his life for it. There was but one thing
to do: to find the real culprit, give him up, and take the
consequences.
Slipping the note in one pocket and the revolver in another, he
hurried down-stairs.
On the lowest step he found Mrs. Hollis sitting in the dark. Her hands
were locked around her knees, and hard, dry sobs shook her body.
In an instant he was down beside her, his arms about her. "He isn't
dead?" he whispered fearfully.
Mrs. Hollis shook her head. "He hasn't moved an inch or spoken since
we put him on the bed. Are you going with the men?"
"I'm going to town now," said Sandy, evasively.
Public-domain text, read in full here on John Shaqi.
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