"Lor', honey! ain't I tol' you 'bout dat? De very night de jedge was
shot, dat chile wrote her paw de sassiest letter, sayin' she gwine run
off and git married wif dat sick boy, Carter Nelson. De doctor headed
'em off some ways, and de very nex' day what you think he done? He put
dat gal in a Cafolic nunnery convent! Dey say she cut up scan'lous at
fust, den she sorter quiet down, an' 'gin to count her necklace, an'
make signs on de waist ob her dress, an' say she lak it so much she
gwine be a Cafolic nunnery sister herself. Now de doctor's jes
tearin' his shirt to git her out, he's so skeered she'll do what she
says."
Sandy laughed in spite of himself, and Aunt Melvy wagged her head
knowingly.
"He needn't pester hisseif 'bout dat. Now Mr. Carter's 'bout to die,
an' you's shut up in jail, she's done turnin' her 'tention on Mr. Sid
Gray. Dey ain't no blinds in de world big enough to keep dat gal from
shinin' her eyes at de boys!"
"Is Carter about to die?" Sandy had become suddenly grave.
"Yas, sir; so dey say. He's got somepin' that sounds lak tuberoses.
Him and Mrs. Nelson and Miss Rufe never did git to Californy. Dey
stopped off in Mobile or Injiany, I can't ricollec' which. He took de
fever de day dey lef', an' he ain't knowed nothin' since."
After Aunt Melvy left, Sandy went to the window and leaned against the
bars. Below him flowed the life of the little town, the men going home
from work, the girls chattering and laughing through the dusk on
their way from the post-office. Every figure that passed, black or
white, was familiar to him. Jimmy Reed's little Skye terrier dashed
down the street, and a whistle sprang to his lips.
How he loved every living creature in the place! For five years he had
been one of them, sharing their interests, part and parcel of the life
of the community. Now he was an outcast, an alien, as much a stranger
to friendly faces as the lad who had knelt long ago at the window of a
great tenement and had been afraid to be alone.
"I'll have to go away," he thought wistfully. "They'll not be wanting
me here after this."
It grew darker and darker in the gloomy room. The mournful voice of a
negro singing in the next cell came to him faintly:
"We'll hunt no moah fo' de possum and de coon,
On de medder, de hill, an' de shoah.
We'll sing no moah by de glimmer ob de moon,
On de bench by de old cabin doah.
"De days go by like de shadow on do heart,
Wid sorrer, wha' all wuz so bright;
De time am come when do darkies hab to part--
Den, my ole Kaintucky home, good night."
Sandy's arm was against the grating and his head was bowed upon it.
Through all the hours of trial one image had sustained him. It was of
Ruth, as he had seen her last, leaning toward him out of the
half-light, her brown hair blowing from under her white cap and her
great eyes full of wondering compassion.
Public-domain text, read in full here on John Shaqi.
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