Men -- Russia -- Fiction; Russia -- Social life and customs -- 20th century -- Fiction
The orderly now entered treading clumsily in his heavy boots. He had
come to light the lamp, and during the process of striking matches and
jingling the glass shade, Sarudine and Volochine were silent.
As the flame of the lamp rose, only their glittering eyes and the
glowing cigarette-ends could be seen. When the soldier had gone out,
they returned to their subject, the word “Woman” forming the theme of
talk that became at times grotesque in its obscenity. Sarudine’s
instinctive longing to boast, and to eclipse Volochine led him at last
to speak of the splendid woman who had yielded to his charms, and
gradually to reveal his own secret lasciviousness. Before the eyes of
Volochine, Lida was exhibited as in a state of nudity, her physical
attributes and her passion all being displayed as though she were some
animal for sale at a fair. By their filthy thoughts she was touched and
polluted and held up to ridicule. Their love of woman knew no gratitude
for the enjoyment given to them; they merely strove to humiliate and
insult the sex, to inflict upon it indescribable pain.
The smoke-laden atmosphere of the room had become stifling. Their
bodies at fever heat, exhaled an unwholesome odour, as their eyes
gleamed and their voices sounded shrill and rabid as those of wild
beasts.
Beyond the window lay the calm, clear moonlit night. But for them the
world with all its wealth of colour and sound had vanished; all that
their eyes beheld was a vision of woman in her nude loveliness. Soon
their imagination became so heated that they felt a burning desire to
see Lida, whom now they had dubbed Lidka, by way of being familiar.
Sarudine had the horses harnessed, and they drove to a house situated
on the outskirts of the town.
CHAPTER XXVIII.
A letter sent by Sarudine to Lida on the day following their interview
fell by chance into Maria Ivanovna’s hands. It contained a request for
the permission to see her, and awkwardly suggested that sundry matters
might be satisfactorily arranged. Its pages cast, so Maria Ivanovna
thought, an ugly, shameful shadow upon the pure image of her daughter.
In her first perplexity and distress, she remembered her own youth with
its love, its deceptions, and the grievous episodes of her married
life. A long chain of suffering forged by a life based on rigid laws of
morality dragged its slow length along, even to the confines of old
age. It was like a grey band, marred in places by monotonous days of
care and disappointment.
Yet the thought that her daughter had broken through the solid wall
surrounding this grey, dusty life, and had plunged into the lurid
whirlpool where joy and sorrow and death were mingled, filled the old
woman with horror and rage.
Public-domain text, read in full here on John Shaqi.
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