Sans-Cravate; or, The Messengers; Little StreamsKock, Paul de
General
Sans-Cravate; or, The Messengers; Little Streams
Kock, Paul de
French fiction -- Translations into English
Paul did not stay to listen to the concierge's reflections; he had
already started upstairs, and he soon reached the door of Madame
Vardeine's apartment. He coughed softly, and the door was opened at
once, for Elina was already up and waiting for him; perhaps, indeed, she
had slept no more than he.
If, gentle reader, you are surprised that a young and pretty dressmaker
should have a tender feeling for a mere messenger, you must remember
that in Paul's manners and language there was none of the coarseness
generally characteristic of those of his calling; that he had received a
good education, through the kindness of a generous benefactor; that he
had performed the duties of clerk for a considerable time; and, lastly,
that, although circumstances had forced him to resort to the _crochets_
of a messenger, he had not chosen to adopt the habits of his confrères:
that he did not frequent wine shops, to which his visit of the previous
evening was his first, and that his language was still as refined and
agreeable as his voice.
"Here I am, mademoiselle," said Paul, saluting the young woman awkwardly
enough; for nothing makes a man so awkward as a first love, especially a
man who does not make a business of seduction. It is not so with women:
love almost always makes them more charming and attractive; by
augmenting their desire to please, it heightens the charms they already
possess and sometimes gives them others which had not previously been
detected in them. "I have come too early, perhaps; did I wake you?"
"Oh, no! Monsieur Paul," the girl replied, with a pleasant smile. "I
have been awake a long time, and was waiting for you. Come in, but don't
make any noise, for my aunt is still asleep, and I should be very glad
if she could find everything done when she wakes."
The messenger followed Elina into the apartment, and she showed him the
little room which she occupied.
"That's all the furniture I have," she said; "a cot-bed, a walnut
wardrobe, this little desk, and a chair; but I'm afraid it's too much
for a loft. However, I should like to get it all in, if I could; for the
wardrobe was my mother's and the little desk my father's, and with those
two pieces it seems to me as if I wasn't quite an orphan--as if papa
and mamma were still here looking out for me. I think one is so
fortunate to have something that used to belong to one's parents. Why, I
wouldn't sell those two things for all the gold in the world! And yet,
they're old and out of fashion; my aunt said once that the wardrobe
wasn't good for anything but firewood. Oh! I was terribly angry that
day! and my aunt has never said that again. Burn this wardrobe, in which
my mother kept her dresses and all her clothes, and this desk that my
father wrote on every day--never! never! And even if I should ever be
rich, I should think just as much of them, and I would never part with
them."
Public-domain text, read in full here on John Shaqi.
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