Santa Fé's Partner: Being Some Memorials of Events in a New-Mexican Track-end TownJanvier, Thomas A. (Thomas Allibone)
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Santa Fé's Partner: Being Some Memorials of Events in a New-Mexican Track-end Town
Janvier, Thomas A. (Thomas Allibone)
New Mexico -- Fiction; Short stories
"Justice!" says Charley, talking as dignified as a just-swore-in
sheriff. "As I explained to you this morning, sir, nobody in Palomitas
ever stands in the way of a fair fight--like the one you happened to
come in on at the finish a few hours ago--any more than good citizens,
elsewhere and under different conditions, interfere with the processes
of the courts. But when the fight is not fair, as in the present
instance--the gravamen of the charge against Brother Smith being that
he loosed off into Brother Hart's back when the latter did not know it
was coming and hadn't his gun out--then the moral sense of our
community crystallizes promptly into the punitive action that the case
demands: as you will see for yourself, inside of the next ten minutes,
when you see Brother Smith run up on that second telegraph-pole to the
left and kicking his legs in the air until he kicks himself into
Kingdom Come!"
"Good Heavens!" says the little man. "You're not going to--to hang
him?"
"We just rather are!" says Santa Fé. And then he says, talking kind of
cutting: "May I ask, sir, what you do in England with murderers? Do
you pay 'em salaries, and ask 'em out to tea-parties, and hire
somebody to see they have all the drinks they want?"
The little man begun telling how English folks manage such matters,
and was real excited. But nobody but the Hen paid no attention to him.
The Hen--she and Kerosene was standing close aside of him--turned
round to him and said pleasant she always enjoyed most the hangings
they had by moonlight (the moon was at the full, and shining
beautiful) because the moonlight, she said, cast over them such a
glamour of romance. And her looking at moonlight hangings that way
seemed to give him such a jolt he stopped talking and give a kind of a
gasp. There wasn't no more time for talking, anyway--for just then the
train backed in to the platform and the conductor sung out the
Friendly Aiders had got to get a move on 'em, if them going by it was
to see the doings, and put Shorty through.
Being moonlight, and the shadows thick, helped considerable--keeping
from showing how the boys had fixed Shorty up so his hanging wouldn't
come hard: with a lariat run round under his arms, his shirt over it,
and a loop just inside his collar where they could hitch the rope
fast. When they did hitch to it, things looked just as natural as you
please.
Public-domain text, read in full here on John Shaqi.
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