Sappho and her influenceRobinson, David M. (David Moore)
History
Sappho and her influence
Robinson, David M. (David Moore)
Sappho -- Influence
“O, ruby-flushed and flaring gold,
Thou splendid lone one left for me,
Apple of love to filch and hold,
Fruit-glory of a kingly tree!
Drop, drop into my hand,
That I may hide thee in my breast,
And bear thee far o’er sea and land,
A captive, to the purple West.”
Renée Vivien (1877-1909), an American poetess of great promise who
died all too young and all too unknown to students of Sappho (see
bibliography), made some very nice French verse translations of Sappho
which were published under a pseudonym in 1903 and reprinted anonymously
in 1909. She pays her tribute to Sappho in these two verses:
Les siècles attentifs se penchent pour entendre
Les lambeaux de tes chants....
The Maryland poet, Father John B. Tabb, the only American who with
Emerson was admitted to the Oxford _Garland Series on Epigrams_, has two
poems on Sappho, in the first of which Keats is appropriately classed
with Sappho:[183]
KEATS—SAPPHO
Methinks, when first the nightingale
Was mated to thy deathless song,
That Sappho with emotion pale,
Amid the Olympian throng,
Again, as in the Lesbian grove,
Stood listening with lips apart,
To hear in thy melodious love
The pantings of her heart.
SAPPHO
A light upon the headland, flaming far,
We see thee o’er the widening waves of time,
Impassioned as a palpitating star,
Big with prophetic destiny sublime:
A momentary flash—a burst of song—
Then silence, and a withering blank of pain.
We wait, alas! in tedious vigils long,
The meteor-gleam that cometh not again!
Our eyes are heavy, and our visage wan:
Our breath—a phantom of the darkness—glides
Ghostlike to swell the dismal caravan
Of shadows, where thy lingering splendor hides,
Till, with our tears and ineffectual sighs,
We quench the spark a smouldering hope supplies.
We have already referred to Alan Seeger’s use of the famous midnight
fragment (p. 78). The magazines are fond of the subject of Sappho and
Phaon and have countless poems which refer to Phaon and the Leucadian
Leap. Buchanan has a poem called _The Leucadian Rock_; and Edward J.
O’Brien in the _Liberator_ says:
Stir not the grasses here,
O wandering zephyr,
For Phaon travelled far over alien foam
Before his footsteps turned in soft contentment
Home to the green threshold
He had forgotten.
Sara Teasdale, the modern burning American Sappho, has a poem on _Phaon
and the Leucadian Leap_ in _Scribner’s Magazine_, for December, 1913, pp.
725-6. The poem is too long to quote entire, and I can give only a few
lines:
Public-domain text, read in full here on John Shaqi.
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