Family -- Fiction; Italy -- Social life and customs -- Fiction; Religion -- Fiction
"Ah!" exclaimed old Astrardente, "I envy them that invention, my dear; it
is perfectly magnificent. You must have a tiger to take home. How
fortunate we were to be in time!" He forced his way into the crowd,
leaving his wife alone for a moment by the door; and he managed to catch
Valdarno, who was distributing the little emblems to right and left.
Madame Mayer's quick eyes had caught sight of Corona and her husband, and
from some instinct of curiosity she made towards the Duchessa. She was
still angry, as she had never been in her short life, at Giovanni's
rudeness in forgetting her dance, and she longed to inflict some wound
upon the beautiful woman who had led him into such forgetfulness. When
Astrardente left his wife's side, Donna Tullia pressed forward with her
partner in the general confusion that followed upon the entrance of the
tiger, and she managed to pass close to Corona. She looked up suddenly
with an air of surprise.
"What! not dancing, Duchessa?" she asked. "Has your partner gone home?"
With the look that accompanied the question, it was an insulting speech
enough. Had Donna Tullia seen old Astrardente close behind her, she would
not have made it. The old dandy was returning in triumph in possession of
the little tiger-badge for Corona. He heard the words, and observed with
inward pleasure his wife's calm look of indifference.
"Madam," he said, placing himself suddenly in Madame Mayer's way, "my
wife's partners do not go home while she remains."
"Oh, I see," returned Donna Tullia, flushing quickly; "the Duchessa is
dancing the cotillon with you. I beg your pardon--I had forgotten that
you still danced."
"Indeed it is long since I did myself the honour of asking you for a
quadrille, madam," answered Astrardente with a polite smile; and so
saying, he turned and presented the little tiger to his wife with a
courtly bow. There was good blood in the old _roué_.
Corona was touched by his thoughtfulness in wishing to get her the little
keepsake of the dance, and she was still more affected by his ready
defence of her. He was indeed sometimes a little ridiculous, with his
paint and his artificial smile--he was often petulant and unreasonable
in little things; but he was never unkind to her, nor discourteous. In
spite of her cold and indifferent stare at Donna Tullia, she had keenly
felt the insult, and she was grateful to the old man for taking her part.
Knowing what she knew of herself that night, she was deeply sensible to
his kindness. She took the little gift, and laid her hand upon his arm.
"Forgive me," she said, as they moved away, "if I am ever ungrateful to
you. You are so very good to me. I know no one so courteous and kind as
you are."
Public-domain text, read in full here on John Shaqi.
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