Adventure stories; British -- Spain -- Fiction; Love stories; Spain -- History -- 19th century -- Fiction
I pushed my way through the crowd, which was now alternately cheering
with deafening enthusiasm, and turning to shout out curses and oaths
against the Carlists, and, entering the Opera House, asked for Box 9,
the number Mrs. Curwen had given me. They would not let me pass for a
moment, however, and I was taking out my card to send to Mrs. Curwen,
when the possible danger of having my name known at such a time struck
me, and I scribbled, "Lord Glisfoyle," on an envelope which I borrowed
at the bureau, and sent an attendant in with that. He returned and
asked me to follow him, and I walked through the magnificent corridors,
half ashamed of what looked like a grim, unnatural jest at such a
moment, and thinking how best to break my bad news to Mercy. Little did
I foresee, indeed, what a friend to me that simple precaution would
prove; but, then, how few of us can see even an inch beyond the
nose-tip!
I had nearly reached the box when a roar like thunder burst out suddenly
in the great building, which seemed almost to stagger with the sudden
shock and vibration; and, as the attendant opened the box door, the huge
volume came rushing out with a deafening crash. A wild passion of
excitement, uproar, and tumult possessed the vast audience, making such
a scene as I had never witnessed.
Men and women alike were beside themselves in the rush and delirium of
positively frantic enthusiasm: standing on the seats, and even rushing
over them, leaning on one another, pushing, straining, climbing one on
top of another’s shoulders to gain a place from which they could catch a
sight of one central spot. Even the stage was filled with a
heterogeneous crowd of actors and actresses in costume, men and women in
evening dress, and scene shifters and employees of all kinds. And the
whole congested mass of people were yelling and shouting and cheering as
though they would burst their lungs, as they waved anything they could
lay hands on—hats, caps, handkerchiefs, shawls, opera cloaks, and on the
stage flags, anything and everything that would help them to vent their
overwhelming enthusiasm.
The centre of it all was the slight, slim, graceful, figure of the boy
King, standing in front of the Royal box, bowing and smiling his
acknowledgments; while just behind him, like the guardian angel of his
life, was the beautiful Queen Mother, with a light of love, pride, and
pleasure on her strong, clever face, as she gazed through eyes bright
and shining with rare tears at this marvellous demonstration of a
people’s thanksgiving for her and their darling’s safety.
Public-domain text, read in full here on John Shaqi.
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