Satan's Invisible World Displayed; or, Despairing Democracy: A Study of Greater New YorkStead, W. T. (William Thomas)
History
Satan's Invisible World Displayed; or, Despairing Democracy: A Study of Greater New York
Stead, W. T. (William Thomas)
New York (N.Y.) -- Politics and government; Police -- New York (State) -- New York
People began to wonder what Mr. Hearst was after. He could not be after
the dollars--he had more dollars than he could count. He was not known to
have any distinctive political aspirations. He was spoken of sometimes as
the Socialist millionaire, but he never professed any belief in Socialism
as a dogma of his creed. Was it only to beat the _World_? Who could say.
The _Journal_ plunged heavily and got hit badly by its advocacy of
Bryanism and Free Silver, but Mr. Hearst was no fanatic of silver. He was
not a fanatic at all. He was a man as modest in private life as his paper
was blatant in print. His editorials were searched in vain to discover any
consistent or inconsistent creed. The _Journal_ was like Broadway in
print. Broadway at high noon, with cars swinging backwards and forwards
along the tracks, and the myriad, multitudes streaming this way and
that--life everywhere, but one common governing purpose or direction
nowhere.
But after a time there was gradually evolved from this feverish chaos of
sensationalism some trace of a great conception. Mr. Croker, who, although
not glib of tongue, is shrewd of wit and keen of eye, discerned its drift,
and set himself to ridicule and belittle what he called “government by
newspaper.” Then the _Journal_ itself, taking heart of grace from a series
of successes, boldly printed at the head of its editorial columns:--
THE “JOURNAL’S” MOTTO:
“WHILE OTHERS TALK, THE ‘JOURNAL’ ACTS.”
This appeared immediately after the announcement of the release of the
fair heroine Evangelina Cisneros from her Cuban gaol by the enterprise of
a _Journal_ reporter. It was followed by an editorial entitled “The
Journalism that Does Things.” This article expresses so succinctly the
aims and objects of a paper which has played so conspicuous a part in the
recent history of New York that I have no hesitation in quoting it here:--
The instant recognition accorded throughout the world, outside of
Weyler’s palace and offices of most New York newspapers, to the work
of the heroes who, in the service of the _Journal_ and of humanity,
rescued Evangelina Cisneros from the prison of the Recojidas is
broader and deeper than a mere compliment to a single newspaper. It is
epochal. It signifies that by a supreme achievement the journalism of
action, which is called by its detractors the “new journalism,” and
proudly accepts the title, has broken down the barriers of prejudice
and vindicated its animating principle.
Action--that is the distinguishing mark of the new journalism. It
represents the final stage in the evolution of the modern newspaper of
a century ago--the “new journals” of their day--told the news, and
some of them made great efforts to get it first. The new journal of
to-day prints the news too, but it does more. It does not wait for
things to turn up. It turns them up.
Public-domain text, read in full here on John Shaqi.
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