Satanstoe; Or, the Littlepage Manuscripts. A Tale of the ColonyCooper, James Fenimore
General
Satanstoe; Or, the Littlepage Manuscripts. A Tale of the Colony
Cooper, James Fenimore
Antirent War, N.Y., 1839-1846 -- Fiction
“'Em pretty much like our'n, Masser Corny; why you bother nigger with sich
question?”
Here another burst of loud, hearty “yah--yah--yahs succeeded; and Yaap had
his laugh out before another word could be got out of him, when I put the
question a third time.
“Well, den, Masser Corny, sin' you _will_ know, dis is my mind. Dis country
is oncomparable wid our ole county sah. De houses seem mean, de barns look
empty, de fencea be low, and de niggers, ebbery one of 'em, look cold,
sah--yes, sah--'ey look berry cold!”
As a “cold negro” was a most pitiable object in negro eyes, I saw by this
summary that Yaap had commenced his travels in much of the same temper of
superciliousness as Jason Newcome. It struck me as odd at the time; but,
since that day, I have ascertained that this feeling is a very general
travelling companion for those who set out on their first journey.
We passed our third night at a small hamlet called Rhinebeck, in a
settlement in which many German names were to be found. Here we were
travelling through the vast estates of the Livingstons, a name well-known
in our colonial history. We breakfasted at Claverack, and passed through
a place called Kinderhook--a village of Low Dutch origin, and of some
antiquity. That night we succeeded in coming near Albany, by making a very
hard day's drive of it. There was no village at the place where we slept;
but the house was a comfortable, and exceedingly neat Dutch tavern. After
quitting Fishkill we had seen more or less of the river, until we passed
Claverack, where we took our leave of it. It was covered with ice, and
sleighs were moving about it, with great apparent security; but we did not
like to try it. Our whole party preferred a solid highway, in which there
was no danger of the bottom's dropping out.
Public-domain text, read in full here on John Shaqi.
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