Satire in the Victorian novelRussell, Frances Theresa
History
Satire in the Victorian novel
Russell, Frances Theresa
English fiction -- 19th century -- History and criticism; Satire, English -- History and criticism; Thesis (Ph. D.)
“Then the people, rather ashamed, abused the Press for
unreasonably disturbing them. The Press attacked old Panic and
stripped her naked. Panic, with a desolate scream, arraigned
the Parliamentary Opposition for having inflated her to serve
base party purposes. The Opposition challenged the allegations
of Government, * * * and proclaimed itself the watch-dog of the
country.”
At about this juncture the enemy himself stepped in and announced there
never had been any need for the dog to bark at all:
“So, then, Panic, or what remained of her, was put to bed
again. The Opposition retired into its kennel growling. The
People coughed like a man of two minds, doubting whether he
has been divinely inspired or has cut a ridiculous figure. The
Press interpreted the cough as a warning to Government; and
Government launched a big ship with hurrahs, and ordered the
recruiting-sergeant to be seen conspicuously.”
All this would seem sufficient, but it appears that the real sting
after these preliminary pricks, is in the tail. The picture concludes
with the bulky figure of the Tax-Payer looming in the background; he is
pointed out with the laconic comment:[138]
“Will you not own that the working of the system for scaring him
and bleeding him is very ingenious? But whether the ingenuity
comes of native sagacity, as it is averred by some, or whether
it shows an instinct laboring to supply the deficiencies of
stupidity, according to others, I cannot express an opinion.”
The satiric parentheses in _The Egoist_ are naturally concerned not
with politics but with individual men and women, chiefly in their
relationships to one another. A few instances will serve.
Referring to the selfish folly of the masculine demand for feminine
delicacy rather than strength, Meredith says of women:[139]
“Are they not of a nature warriors, like men?--men’s mates to
bear them heroes instead of puppets? But the devouring male
Egoist prefers them as inanimate overwrought polished pure-metal
precious vessels, fresh from the hands of the artificer, for him
to walk away with hugging, call all his own, drink of, and fill
and drink of, and forget that he stole them.”
Again, apropos of that “adoring female’s worship,” destined only for
the strong, “who maintain the crown by holding divinely independent of
the great emotion they have sown,” he says:[140]
“In the one hundred and fourth chapter of the thirteenth volume
of the Book of Egoism, it is written: _Possession without
obligation to the object possessed approaches felicity_.”
Public-domain text, read in full here on John Shaqi.
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