Next comes Yeast, whose great Convertite is Lancelot Smith. He is introduced to us as fresh from Cambridge, a stalwart gallant fellow of great abilities, rather debauched, but discontented with his debauchery, and utterly without fixed creed. An accident confines him long to the house of the Squire whom he is visiting. During his convalescence he becomes a lover of one of the Squire’s daughters—a young lady whose vernacular name is Argemone, and who is herself rapidly growing a perfect saint. He also becomes the friend of a gamekeeper who reads Carlyle, writes poetry, and has experienced special religious illumination. Lancelot then loses all his fortune by the failure of his uncle’s bank, and loses his sweetheart by the sulphuretted-hydrogen fever; turns street-porter for the nonce to earn a bit of bread, and finally goes off one knows not whither; an excellent fervid Christian, after playing through several bewildering pages a wild burlesque of the Platonic dialogue with a personage so mysterious that I prefer not to attempt a description of him. What has converted Lancelot? The loss of his money and the death of his sweetheart seem to have been the main influences. For although he was stunned with calamity, I will not deem him so stupefied as to think that he was made a believer by the unintelligible dialogue. Then follows Hypatia. And here I may remark that I am unable to concur in what seems the general opinion—namely, that Mr. Kingsley intended his heroine to represent the character of the Hypatia of history. Although living in the same city at the same period, both lecturing on philosophy, and both ultimately murdered by Christian mobs; it appears to me that, as women, the two Hypatias differed so much from each other that no one having heard them talk for five minutes could have the slightest doubt as to which was which. History and Mr. Kingsley have each composed an acrostic on this lovely name, and with the same _bouts rimes_; but the body (and the spirit) of the one poem is extremely unlike the body (and the spirit) of the other. Mr. Kingsley proffers us an ancient cup and a flask, Greek-lettered “Wine of Cyprus”; we commence to drink solemnly and devoutly, but—O most miserable mockery! it is indubitable brandy and water. Well may he call this an old foe with a new face! The Kingsley Hypatia is not altogether, but is very nearly a Convertite; so nearly that he would certainly have made her altogether one, had not the _bouts rime’s_ been too well known for alteration. Her best pupil (of whom more anon) abandons her, she begins to love a beautiful young Greek monk, and yet (that philosophy may have the help of worldly power in its mortal duel with Christianity) consents to marry the Prefect of Alexandria, whom she very justly despises. While miserable with the consciousness of how low she is stooping to conquer, she is fascinated or mesmerised by an old Jewish hag, and crouches in a