Saved from herself : $b or, On the edge of doomStirling, Adelaide
General
Saved from herself : $b or, On the edge of doom
Stirling, Adelaide
American fiction -- 19th century; Dime novels; Romance fiction
“Oh, I’m frightened of it! I don’t want to hear it. Let us go down.”
Their voices were echoing in the hall above as in a whispering gallery.
“Down!” The man held his candle aloft, and looked down the well of the
stairs. Down, down, it went till his eye lost in the blackness the hard
oak floor of the great hall below. There was no one to see him, and his
face was the face of a devil. He set his candle on the stair.
“You can go down--presently,” he answered recklessly. He took a sharp
sideways step so that she was pressed near the banister. Far below
he saw the light of a candle. Thomas was carrying it, the old man
was coming up-stairs. It was all the better; an accident, without a
witness, sometimes smelled of murder. How slowly Thomas was mounting
the stairs! If some one in the hall above had seen Wray’s face, the
glare in his eyes, and caught their breath in swift horror, there might
have been precisely the little sound that reached Cristiane’s ears.
“What was that? I heard a noise,” she whispered, gazing up the stairs
with great, startled eyes.
“Nothing!” said Wray furiously. Thomas was nearly up now.
“Cristiane!” Wray cried at the top of his voice: “what are you doing up
here? There’s no ghost, don’t run. For God’s sake, take care of those
banisters--they’re rotten!” and with God’s name on his lips in the lie
that was to make Thomas a witness who would clear him, he shoved her
suddenly, savagely, against the banisters, that were frail as reeds
with dry rot.
Cristiane screamed the long, wild cry of a woman in the last pinch of
fear.
“Help me!” she shrieked again, and for one second his grasp of her
relaxed. She had fallen flat on the stairs, still pressed against the
banisters where they were socketed in the steps.
Wray put his shoulder against the rail; it cracked, crashed, with half
the uprights, down into the awful depths below. Only half-against the
splintered lower part Cristiane lay huddled.
With an inarticulate curse, Marcus Wray stooped to do deliberate
murder, to pick up the girl, whose only sin was her wealth and her
defenselessness. Thomas was not come yet; there was no witness.
But was there?
Who was that who stood just above him, in a curious white satin gown,
marked with blood on the breast? Who stood dead-white through her
flimsy gauze veil, her eyes burning like cold, green flames?
He looked, he sprang, kicking over the candle so that there was
darkness. But in that one glance he had known her. It was Ismay who
had played the ghost. Ismay who had seen him now! Beyond himself with
rage and terror, he leaped after her in the dark. In the dark she ran,
voiceless, weakened by the long strain on her, the horror of what she
had been within an ace of allowing to be done.
Public-domain text, read in full here on John Shaqi.
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