Sawdust & Spangles: Stories & Secrets of the CircusCoup, W. C. (William Cameron)
History
Sawdust & Spangles: Stories & Secrets of the Circus
Coup, W. C. (William Cameron)
Circus
For the information of those unacquainted with river travel I will say
that buoys are placed by the government in dangerous parts of the river
to point out the only safe channel. Now, whether or not the opposition
was really guilty of this trick, Dan's verses gained him the sympathy
of the people, and with that sympathy came their dollars. In fact, to
such an extent did Dan work upon the sympathies of the people that, at
many points, they actually refused to allow the opposition boats to
land. At some of these places the opposition had themselves incurred
the displeasure of the people by touching at the landing only long
enough to receive their audiences, and then going into the middle of
the river to give their performances, thus avoiding the payment of the
license fee.
This lasted through the winter, and when summer came both shows took to
their tents and traveled toward New York State. There Dan's enemies
succeeded on some charge or other in getting him in jail. While in his
cell he composed the song "Blue Eagle Jail," in which he described the
jailer, whom he disliked, as "Dot-and-Go-One," from the fact of his
having a wooden leg. This song made the one-legged jailer notorious all
over the country.
One thing I must say for Dan Rice: He was the only original clown I
ever heard--with the single exception of Dilly Fay. The latter was an
erratic individual who actually became a clown that he might save money
to complete his studies in Paris. Fay was educated and original, but
lacked the physical power and deep voice of Rice. I never heard of Fay
after he started for Paris, but presume he never reentered the ring.
TAN-BARK ORATORY AND HARLEQUIN PLUCK
Once when I was with Dan Rice on the river circus we showed at Memphis.
At this place a certain fellow was loud in his denunciation of Dan and
the show. He was a source of great annoyance to the showman and had
also made himself very unpopular by declaiming against slavery. In
retaliation Dan entered the ring and returned the compliment in kind.
He capped the climax by singing a song in which he described his enemy
as playing cards with a negro on a log, and so boldly was this done
that the people believed it and the fellow became so exasperated that
he threatened to shoot Dan. The clown, however, defied him, and
continued ridiculing him until the man was actually obliged to leave
the city in a hurry.
Public-domain text, read in full here on John Shaqi.
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