I have often been asked if the training of animals does not quite generally involve considerable cruelty. This, it seems to me, may fairly be answered in the negative, although one exception should be made. Though great firmness must be shown in working wild animals, and frequent and severe chastisements are called for, there is nothing essentially cruel in the method of training. This, however, cannot be said of the methods generally followed by the trainers of horses. I can never forget how forcibly and painfully this exception was brought home to me. In company with Mr. Costello I had brought from Texas and New Mexico a herd of beautiful pinto ponies, or bronchos. They were handsome piebald creatures, and apparently very intelligent, although desperately wild. From a herd of about forty we picked out sixteen to be educated for the ring. About ten miles out of Chicago we put up a convenient stable and engaged one of the most celebrated trainers in the United States. In the course of a few weeks the animals became accustomed to having men about them, and then I told the trainer to begin his work. I had never watched a trainer work horses for the ring, and I was greatly interested to see how it was done. The method was so cruel that I told the trainer if he could not invent a method which inflicted less torture he might quit and we would have the horses sold. He had not the ingenuity or patience to devise a more humane method, and consequently retired from the field, leaving his assistant to work out the problem under my directions. This we finally succeeded in doing with fair results, but the method followed by the trainer is a more general one. TEACHING A HORSE THE TWO-STEP In teaching a horse to dance, the master would strike the poor animal above the fetlock, and this would produce a painful swelling. The result was that in a very short time the motion of the stick, in time with the music, would cause the horse to raise its foot. Before the swollen limb was healed the performance was repeated so frequently that the animal did not need the incentives of fear and pain to cause him to keep step with the music.