Max Shingle lived in the unfashionable district of Pentonville; but he had a goodly house there, and well furnished, at the head of a square of little residences that some ingenious builder had erected to look like a plantation of young Wesleyan chapels, growing up ready for transplanting at such times as they were needed to supply a want. Mrs Max, relict of the late Mr Fraser, was a tall, bony, washed-out woman, with a false look about her hair, teeth, and figure; large ears, in each of which, fitting close to the lobe, was a large pearl, looking like a button, to hold it back against her head. She was seated in her drawing-room, but not alone; for opposite to her, in a studied, graceful attitude, sat Max's ward, Violante, daughter of a late deacon of his chapel--a rather good-looking girl in profile, but terribly disfigured, on looking her full in the face, by a weakness in one eye, the effect of which was that it never worked with its twin sister, but was always left behind. Thus, whereas her right eye turned sharply upon you, and looked you through and through, the left did not come up to its work until the right had about finished and gone off to do duty on something else. The consequence was that when talking to her you found you had her attention for a few moments; and then, just as you seemed to have lost it, eye Number 2 came up to the charge, and generally puzzled and confused a stranger to a remarkable extent. "Dear me! Hark at the wind!" said Mrs Max; "and look at it. Give me my smelling bottle, Violante. I'm always giddy when the wind gets under the carpet like that." The smelling bottle was duly sniffed; and then, changing her position so that her fair hair and white eyebrows and lashes were full in the light, Mrs Max looked more than ever as if there had been too much soda used in the water ever since she was born; and she sighed, and took up her work, which was a large illuminated text on perforated cardboard. In fact, Max Shingle's house shone in brightly coloured cards and many-tinted silken pieces of tapestry, formed to improve the sinful mind. Moral aphorisms about honesty and contentment looked at you from over the hat-pegs in the hall; pious precepts peeped at you between the balusters as you went upstairs, and furnished the drawing-room to the displacement of pictures. Many of them lost their point, from being illuminated to such an extent that the brilliancy and wondrous windings of the letters dazzled the eye, and carried the mind into a mental maze, as you tried to decipher what they meant; but there they were, and Mrs Max and the ward spent their days in constantly adding to the number.