Saxe Holm's Stories: First SeriesJackson, Helen Hunt
General
Saxe Holm's Stories: First Series
Jackson, Helen Hunt
Short stories; United States -- Social life and customs -- 19th century -- Fiction
"Indeed I do," replied I, "as if I had known her all my life. I will not
stay long;" and I followed him through a small dining-room, also gay with
flowers and vines, to a little room which had one side almost wholly of
glass and opened on a _loggia_ full of orange-trees and oleanders,
geraniums and roses. I will not describe Dora Maynard's bed-room. It was
the dainty room of a dainty woman, but spiritualized and individualized
and made wonderful, just as her sitting-room was, by a creative touch and
a magnetic presence such as few women possess. I believe that she could
not be for twenty-four hours in the barrenest and ugliest room possible,
without contriving to diffuse a certain enchantment through all its
emptiness.
She looked far more beautiful this morning than she had looked the day
before. I never forgot the picture of her face as I saw it then, lying on
the white pillow and turned toward the door, with the eager expression
which her waiting for me had given it. Neither of us spoke for some
seconds, and when we did speak we took refuge in commonplaces. Our hearts
were too full--mine with a sudden and hardly explicable overflow of
affection toward this beautiful being whom I had saved from dying; hers
with a like affection for me, heightened a thousand fold by the intense
love of love and of living that filled her whole soul and made her
gratitude to me partake almost of the nature of adoration. I think it was
years before she could see me without recalling the whole scene so vividly
that tears would fill her eyes. Often she would suddenly seize both my
hands in hers, kiss them and say, "Oh! but for these dear, strong, brave
little hands, where should I be!" And whenever we parted for a length of
time she was overshadowed by presentiment. "I know it is superstitious and
silly," she would say, "but I cannot shake off the feeling that I am safer
in the same town with you. I believe if any harm were to threaten me you
would be near."
But the story I am to tell now is not the story of Dora Maynard's life
after I knew her, nor of our friendship and love for each other, rare and
beautiful as they were. It is the story of her girlhood, and of the
strange wood-carving which stood on the gilded table in the bed of purple
anemones.
One morning in April, as I climbed the long stone stairs which led to her
apartment, I met Anita, the flower-woman who carried flowers to her every
day. Anita looked troubled.
"What is the matter, my Anita?" said I; "is the Signora ill?"
Public-domain text, read in full here on John Shaqi.
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