Saxe Holm's Stories: First SeriesJackson, Helen Hunt
General
Saxe Holm's Stories: First Series
Jackson, Helen Hunt
Short stories; United States -- Social life and customs -- 19th century -- Fiction
"Yes, I have wondered, I acknowledge, for I could not make out the
design," I replied; "but I thought it might have some story connected with
it, which you would tell me if you wished I should know. I did not think
it clumsy; I think it is fantastic, and has a certain sort of weird
life-likeness about it."
"Do you really think it has any life-like look about it?" and Dora's face
flushed with pleasure. "I think so, but I supposed nobody else could see
anything in it. No one of my acquaintance has ever alluded to it,"
continued she, half laughing, half crying, "but I see them trying to
scrutinize it slyly when they are not observed. As for poor old Anita, I
believe she thinks it is our Fetish. She walks round it on tiptoe with her
hands clasped on her apron."
"But now," she continued, "I will show you the same design in something
else;" and she led the way through her own bedroom to Robert's, which was
beyond. On the threshold she paused, and kissing me, said: "If you can
stay with me to-day, I will tell you the whole story, dear; but I want you
to look at this chintz first." Then she walked to the window, and drawing
out one of the curtains to its full width, held it up for me to see. It
was a green and white chintz, evidently of cheap quality. At first I did
not distinguish any meaning in the pattern; presently I saw that the
figures were all of vines and vine-leaves, linked in a fantastic fashion
together, like those in the wood-carving on the gold table.
"Oh, yes," I said, "I see; it is exactly like the carving, only it looks
different, being on a flat surface."
Dora did not speak; she was gazing absently at the chintz she held in her
hand. Her face looked as if her soul were miles and years away. Presently
I saw a tear roll down her cheek. I touched her hand. She started, and
smiling sweetly, said: "Oh! forgive me. Don't think I am crying for any
sorrow; it is for joy. I am so happy, and my life has been so wonderful.
Now would you really have patience to listen to a long story?" she said,
beseechingly; "a long story all about me--and--Robert? I have been
wanting to tell you ever since I knew you. I think you ought to know all
about us."
For my answer, I sank into a large chair, drew her down into my lap, and
said: "Begin, you dearest child. Nothing could give me such pleasure.
Begin at the beginning."
She slipped from my lap to a low footstool at my feet, and resting both
her arms on my knees in a graceful way she had, looked up into my face,
and began by a sentence which made me start.
"I used to work in a factory." My start was so undisguised, so
uncontrollable, that Dora drew back and her cheeks turned red.
"Perhaps I ought to have told you before."
"Oh, my dear, beautiful, marvellous child!" I exclaimed; "you cannot so
misjudge me. I was startled only because you had always seemed to me so
much like one born to all possible luxury. I supposed you had been
nurtured on beauty."
Public-domain text, read in full here on John Shaqi.
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