"It was a very kind letter, and the salary, of which Mr. Maynard spoke almost apologetically, saying that it would be increased in a few years as the village grew, was more than twice as large as papa had ever received, and there was a nice parsonage besides. "We moved in April. I always associate our moving with blue hepaticas, for I carried a great basketful of them, which I had taken up roots and all, in the woods, the morning we set out; and what should I find under papa's study window but a great thicket of wild ferns and cornel bushes growing--just the place for my hepaticas, and I set them out before I went into the house. The house was very small, but it was so pretty that papa and I were perfectly happy in it. Poor mamma did not like the closets and the kitchen. The house we had left was a huge, old-fashioned house, with four square rooms on a floor; one of these was the kitchen, and mamma missed it very much. But she lived only a few days after we moved in. I never knew of what disease she died. She was ill but a few hours and suffered great pain. They said she had injured herself in some way in lifting the furniture. It was all so sudden and so terrible, and we were surrounded by such confusion and so many strange faces, that I do not remember anything about it distinctly. I remember the funeral, and the great masses of white and purple flowers all over the table on which the coffin stood, and I remember how strangely papa's face looked. "And then Aunt Abby came to live with us, and we settled down into such a new, different life, that it seemed to me as if it had been in some other world that I had known mamma. My sister Abby was two years old, and my darling brother Nat was ten, when mamma died. It is very hard to talk about dear Nat, I love him so. He is so precious, and his sorrow is so sacred, that I am hardly willing to let strangers pity him, ever so tenderly. When he was a baby he sprang out of mamma's lap, one day, as she was reaching up to take something from the mantel piece. He fell on the andiron-head and injured his spine so that he could never walk. He is twenty years old now; his head and chest and arms are about as large as those of a boy of sixteen, but all the rest of his poor body is shrunken and withered; he has never stood upright, and he cannot turn himself in his chair or bed. But his head and face are beautiful. It is not only I who think so. Artists have seen him sitting at the window, or being drawn about in his little wagon, and have begged permission to paint his face, for the face of a saint or of a hero, in their pictures. It is the face of both saint and hero; and after all that must be always so, I think; for how could a man be one without being the other? I know some very brave men have been very bad men, but I do not call them heroes. Nat is the only hero I ever knew; if I were a poet I would write a poem about him. It should be called 'THE CROWNLESS KING.' Oh, how he _does_ reign over