Saxe Holm's Stories: First SeriesJackson, Helen Hunt
General
Saxe Holm's Stories: First Series
Jackson, Helen Hunt
Short stories; United States -- Social life and customs -- 19th century -- Fiction
"The next day I went to the mill. Everything proved much better than I had
feared. Some of the women in the room in which I was placed had belonged
to papa's Sunday-school, and they were all very kind to me, and told the
others who I was; so from the outset I felt myself among friends. In two
weeks I had grown used to the work; the noise of the looms did not
frighten or confuse me, and it did not tire me to stand so many hours. I
found that I should soon be able to do most of my work mechanically, and
think about what I pleased in the mean time. So I hoped to be able to
study at home and recite my lessons to myself in the mill. The only thing
that troubled me was that I could not take Nat to and from school, and he
had to be left alone sometimes. But I found a very pleasant and faithful
Irish boy, who was glad to earn a little money by drawing him back and
forth, often staying with him after school till I came home at six
o'clock. This boy was the son of the Irish gardener on the overseer's
place. The overseer was an Englishman; his name was Wilkins. He is the
only human being I ever disliked so that it was hard to speak to him. His
brother, too, the agent who had charge of all Mr. Maynard's business, was
almost as disagreeable as he. They both looked like bloated frogs; their
wide, shapeless mouths, flat noses, and prominent eyes, made me shudder
when I looked at them.
"Little Patrick soon grew fond of Nat, as everybody did who came into
close contact with him; and he used often to stay at our house till late
at night, hearing Nat's stories, and watching him draw pictures on the
blackboard. One of the things I had kept was a great blackboard which papa
had made for him. It was mounted on a stout standard, so that it could be
swung close in front of his chair or wagon, and he would lie there and
draw for hours together. Some of the pictures he drew were so beautiful I
could not bear to have them rubbed out. It seemed almost like killing
things that were alive. Whenever I dared to spend a penny for anything not
absolutely needful, I always bought a sheet of drawing-paper or a crayon;
for Nat would rather have them than anything else in the world--even than
a book--unless the book had pictures.
"One night, when I went home, I found him sitting up very straight in his
wagon, with his cheeks crimson with excitement. Patrick was with him, and
the table and the whole floor were covered with queer, long, jointed
paste-board sheets, with pieces of gay-colored calicoes, pasted on them.
Patrick looked as excited as Nat, and as soon as I opened the door he
exclaimed, 'Och, Miss Dora, see how he's plazed with um.' I was almost
frightened at Nat's face. 'Why Nat, dear,' said I, 'what are they? I don't
think they are very pretty;' and I picked up one of the queer things and
looked at it. 'The colors are bright and pretty, but I am sure almost all
the patterns are hideous.'
Public-domain text, read in full here on John Shaqi.
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