Saxe Holm's Stories: First SeriesJackson, Helen Hunt
General
Saxe Holm's Stories: First Series
Jackson, Helen Hunt
Short stories; United States -- Social life and customs -- 19th century -- Fiction
But these long, brilliant letters were not all. In every mail came also
packages for Alice--secret, mysterious things which nobody could see, but
which proved to be sometimes small notes, to be given to papa at
unexpected times and places; sometimes little fancy articles, as a
pen-wiper, or a cigar-case, half worked by Ellen, to be finished by Alice,
and given to papa on some especial day, the significance of which "only
mamma knows;" sometimes a pressed flower, which was to be put by papa's
plate at breakfast, or put in papa's button-hole as he went out in the
morning. I was more and more lost in astonishment at the subtle and
boundless art of love which could so contrive to reach across an ocean,
and surround a man's daily life with its expression. There were also in
every package, letters to John from all the children: even the baby's
little hand was guided to write by every mail, "Dear papa, I love you
just as much as all the rest do!" or, "Dear papa, I want you to toss me
up!" More than once I saw tears roll down John's face in spite of him, as
he slowly deciphered these illegible little scrawls. The older children's
notes were vivid and loving like their mother's. It was evident that they
were having a season of royal delight in their journey, but also evident
that their thoughts and their longings were constantly reverting to papa.
How much Ellen really indited of these apparently spontaneous letters I do
not know; but no doubt their tone was in part created by her. They showed,
even more than did her own letters, that papa was still the centre of the
family life. No sight was seen without the wish--"Oh, if papa were here!"
and even little Mary, aged five, was making a collection of pressed leaves
for papa, from all the places they visited. Louise had already great
talent for drawing, and in almost every letter came two or three childish
but spirited little pictures, all labelled "Drawn for papa!" "The true
picture of our courier in a rage, for papa to see." "The washerwoman's
dog, for papa," etc., etc. Again and again I sat by, almost trembling with
delight, and saw John spend an entire evening in looking over these little
missives and reading Ellen's letters. Then again I sat alone and anxious
through an entire evening, when I knew he was with Emma Long. But even
after such an evening, he never failed to sit down and write pages in his
journal-letter to Ellen--a practice which he began of his own accord,
after receiving the first journal-letter from her.
"Ha! little Alice," he said, "we'll keep a journal too, for mamma, won't
we! She shall not out-do us that way." And so, between Alice's letters and
his, the whole record of our family life went every week to Ellen; and I
do not believe, so utterly unaware was John Gray of any pain in his wife's
heart about Emma Long, I do not believe that he ever in a single instance
omitted to mention when he had been with her, where, and how long.
Public-domain text, read in full here on John Shaqi.
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