Scaramouche: A Romance of the French RevolutionSabatini, Rafael
History
Scaramouche: A Romance of the French Revolution
Sabatini, Rafael
Adventure stories; France -- History -- Revolution, 1789-1799 -- Fiction; Love stories; War stories
That was the evening’s first shock. The next came after the second act.
Entering the green-room he found it more thronged than usual, and at the
far end with Climene, over whom he was bending from his fine height, his
eyes intent upon her face, what time his smiling lips moved in talk, M.
de La Tour d’Azyr. He had her entirely to himself, a privilege none of
the men of fashion who were in the habit of visiting the coulisse
had yet enjoyed. Those lesser gentlemen had all withdrawn before the
Marquis, as jackals withdraw before the lion.
Andre-Louis stared a moment, stricken. Then recovering from his surprise
he became critical in his study of the Marquis. He considered the
beauty and grace and splendour of him, his courtly air, his complete
and unshakable self-possession. But more than all he considered the
expression of the dark eyes that were devouring Climene’s lovely face,
and his own lips tightened.
M. de La Tour d’Azyr never heeded him or his stare; nor, had he done
so, would he have known who it was that looked at him from behind the
make-up of Scaramouche; nor, again, had he known, would he have been in
the least troubled or concerned.
Andre-Louis sat down apart, his mind in turmoil. Presently he found a
mincing young gentleman addressing him, and made shift to answer as
was expected. Climene having been thus sequestered, and Columbine being
already thickly besieged by gallants, the lesser visitors had to content
themselves with Madame and the male members of the troupe. M. Binet,
indeed, was the centre of a gay cluster that shook with laughter at his
sallies. He seemed of a sudden to have emerged from the gloom of the
last two days into high good-humour, and Scaramouche observed how
persistently his eyes kept flickering upon his daughter and her splendid
courtier.
That night there, were high words between Andre-Louis and Climene, the
high words proceeding from Climene. When Andre-Louis again, and more
insistently, enjoined prudence upon his betrothed, and begged her to
beware how far she encouraged the advances of such a man as M. de La
Tour d’Azyr, she became roundly abusive. She shocked and stunned him
by her virulently shrewish tone, and her still more unexpected force of
invective.
He sought to reason with her, and finally she came to certain terms with
him.
“If you have become betrothed to me simply to stand as an obstacle in my
path, the sooner we make an end the better.”
“You do not love me then, Climene?”
“Love has nothing to do with it. I’ll not tolerate your insensate
jealousy. A girl in the theatre must make it her business to accept
homage from all.”
“Agreed; and there is no harm, provided she gives nothing in exchange.”
White-faced, with flaming eyes she turned on him at that.
“Now, what exactly do you mean?”
Public-domain text, read in full here on John Shaqi.
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