Scaramouche: A Romance of the French RevolutionSabatini, Rafael
History
Scaramouche: A Romance of the French Revolution
Sabatini, Rafael
Adventure stories; France -- History -- Revolution, 1789-1799 -- Fiction; Love stories; War stories
“Oh, it was a fine spectacle to see this mighty hunter scuttling to
cover like a hare, going to earth in the Cordelier Convent. Rennes has
not seen him since. Rennes would like to see him again. But if he is
valorous, he is also discreet. And where do you think he has taken
refuge, this great nobleman who wanted to see the streets of Rennes
washed in the blood of its citizens, this man who would have butchered
old and young of the contemptible canaille to silence the voice of
reason and of liberty that presumes to ring through France to-day? Where
do you think he hides himself? Why, here in Nantes.”
Again there was uproar.
“What do you say? Impossible? Why, my friends, at this moment he is here
in this theatre--skulking up there in that box. He is too shy to
show himself--oh, a very modest gentleman. But there he is behind the
curtains. Will you not show yourself to your friends, M. de La Tour
d’Azyr, Monsieur le Marquis who considers eloquence so very dangerous a
gift? See, they would like a word with you; they do not believe me when
I tell them that you are here.”
Now, whatever he may have been, and whatever the views held on the
subject by Andre-Louis, M. de La Tour d’Azyr was certainly not a coward.
To say that he was hiding in Nantes was not true. He came and went
there openly and unabashed. It happened, however, that the Nantais were
ignorant until this moment of his presence among them. But then he
would have disdained to have informed them of it just as he would have
disdained to have concealed it from them.
Challenged thus, however, and despite the ominous manner in which the
bourgeois element in the audience had responded to Scaramouche’s appeal
to its passions, despite the attempts made by Chabrillane to restrain
him, the Marquis swept aside the curtain at the side of the box, and
suddenly showed himself, pale but self-contained and scornful as he
surveyed first the daring Scaramouche and then those others who at sight
of him had given tongue to their hostility.
Hoots and yells assailed him, fists were shaken at him, canes were
brandished menacingly.
“Assassin! Scoundrel! Coward! Traitor!”
But he braved the storm, smiling upon them his ineffable contempt. He
was waiting for the noise to cease; waiting to address them in his turn.
But he waited in vain, as he very soon perceived.
The contempt he did not trouble to dissemble served but to goad them on.
In the pit pandemonium was already raging. Blows were being freely
exchanged; there were scuffling groups, and here and there swords were
being drawn, but fortunately the press was too dense to permit of their
being used effectively. Those who had women with them and the timid by
nature were making haste to leave a house that looked like becoming a
cockpit, where chairs were being smashed to provide weapons, and parts
of chandeliers were already being used as missiles.
Public-domain text, read in full here on John Shaqi.
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