Scaramouche: A Romance of the French RevolutionSabatini, Rafael
History
Scaramouche: A Romance of the French Revolution
Sabatini, Rafael
Adventure stories; France -- History -- Revolution, 1789-1799 -- Fiction; Love stories; War stories
D’Ormesson, a practical man in such matters, produced a linen kerchief,
which he tore quickly into strips to improvise a bandage.
Still Andre-Louis continued to stand there, looking on as if bemused. He
continued so until Le Chapelier touched him on the arm. Then at last he
roused himself, sighed, and turned away to resume his garments, nor did
he address or look again at his late opponent, but left the ground at
once.
As, with Le Chapelier, he was walking slowly and in silent dejection
towards the entrance of the Bois, where they had left their carriage,
they were passed by the caleche conveying La Tour d’Azyr and his
second--which had originally driven almost right up to the spot of the
encounter. The Marquis’ wounded arm was carried in a sling improvised
from his companion’s sword-belt. His sky-blue coat with three collars
had been buttoned over this, so that the right sleeve hung empty.
Otherwise, saving a certain pallor, he looked much his usual self.
And now you understand how it was that he was the first to return,
and that seeing him thus returning, apparently safe and sound, the two
ladies, intent upon preventing the encounter, should have assumed that
their worst fears were realized.
Mme. de Plougastel attempted to call out, but her voice refused its
office. She attempted to throw open the door of her own carriage; but
her fingers fumbled clumsily and ineffectively with the handle. And
meanwhile the caleche was slowly passing, La Tour d’Azyr’s fine eyes
sombrely yet intently meeting her own anguished gaze. And then she
saw something else. M. d’Ormesson, leaning back again from the forward
inclination of his body to join his own to his companion’s salutation of
the Countess, disclosed the empty right sleeve of M. de La Tour d’Azyr’s
blue coat. More, the near side of the coat itself turned back from the
point near the throat where it was caught together by a single button,
revealed the slung arm beneath in its blood-sodden cambric sleeve.
Even now she feared to jump to the obvious conclusion--feared lest
perhaps the Marquis, though himself wounded, might have dealt his
adversary a deadlier wound.
She found her voice at last, and at the same moment signalled to the
driver of the caleche to stop.
As it was pulled to a standstill, M. d’Ormesson alighted, and so met
madame in the little space between the two carriages.
“Where is M. Moreau?” was the question with which she surprised him.
“Following at his leisure, no doubt, madame,” he answered, recovering.
“He is not hurt?”
“Unfortunately it is we who...” M. d’Ormesson was beginning, when from
behind him M. de La Tour d’Azyr’s voice cut in crisply:
“This interest on your part in M. Moreau, dear Countess...”
He broke off, observing a vague challenge in the air with which she
confronted him. But indeed his sentence did not need completing.
Public-domain text, read in full here on John Shaqi.
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