Scaramouche: A Romance of the French RevolutionSabatini, Rafael
History
Scaramouche: A Romance of the French Revolution
Sabatini, Rafael
Adventure stories; France -- History -- Revolution, 1789-1799 -- Fiction; Love stories; War stories
Nearer it came, raucously bawled by some hundreds of voices, a dread
sound that had come so suddenly to displace at least temporarily
the merry, trivial air of the “Ca ira!” which hitherto had been the
revolutionary carillon. Instinctively Mme. de Plougastel and Aline clung
to each other. They had heard the sound of the ravishing of that other
house in the neighbourhood, without knowledge of the reason. What if now
it should be the turn of the Hotel Plougastel! There was no real
cause to fear it, save that amid a turmoil imperfectly understood and
therefore the more awe-inspiring, the worst must be feared always.
The dreadful song so dreadfully sung, and the thunder of heavily shod
feet upon the roughly paved street, passed on and receded. They breathed
again, almost as if a miracle had saved them, to yield to fresh alarm an
instant later, when madame’s young footman, Jacques, the most trusted
of her servants, burst into their presence unceremoniously with a scared
face, bringing the announcement that a man who had just climbed over the
garden wall professed himself a friend of madame’s, and desired to be
brought immediately to her presence.
“But he looks like a sansculotte, madame,” the staunch fellow warned
her.
Her thoughts and hopes leapt at once to Rougane.
“Bring him in,” she commanded breathlessly.
Jacques went out, to return presently accompanied by a tall man in a
long, shabby, and very ample overcoat and a wide-brimmed hat that was
turned down all round, and adorned by an enormous tricolour cockade.
This hat he removed as he entered.
Jacques, standing behind him, perceived that his hair, although now
in some disorder, bore signs of having been carefully dressed. It was
clubbed, and it carried some lingering vestiges of powder. The young
footman wondered what it was in the man’s face, which was turned from
him, that should cause his mistress to cry out and recoil. Then he found
himself dismissed abruptly by a gesture.
The newcomer advanced to the middle of the salon, moving like a man
exhausted and breathing hard. There he leaned against a table, across
which he confronted Mme. de Plougastel. And she stood regarding him, a
strange horror in her eyes.
In the background, on a settle at the salon’s far end, sat Aline staring
in bewilderment and some fear at a face which, if unrecognizable through
the mask of blood and dust that smeared it, was yet familiar. And then
the man spoke, and instantly she knew the voice for that of the Marquis
de La Tour d’Azyr.
“My dear friend,” he was saying, “forgive me if I startled you. Forgive
me if I thrust myself in here without leave, at such a time, in such a
manner. But... you see how it is with me. I am a fugitive. In the course
of my distracted flight, not knowing which way to turn for safety, I
thought of you. I told myself that if I could but safely reach your
house, I might find sanctuary.”
“You are in danger?”
Public-domain text, read in full here on John Shaqi.
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