“But not until after breakfast,” said Andre-Louis. “A half-hour for breakfast was conceded us by that loyal fellow, so deeply was he touched. True, he spoke of possible gardes-champetres. But he knows as well as I do that they are not seriously to be feared, and that if they came, again the King’s portrait--wrought in copper this time--would produce the same melting effect upon them. So, my dear M. Pantaloon, break your fast at your ease. I can smell your cooking from here, and from the smell I argue that there is no need to wish you a good appetite.” “My friend, my saviour!” Pantaloon flung a great arm about the young man’s shoulders. “You shall stay to breakfast with us.” “I confess to a hope that you would ask me,” said Andre-Louis. CHAPTER II. THE SERVICE OF THESPIS They were, thought Andre-Louis, as he sat down to breakfast with them behind the itinerant house, in the bright sunshine that tempered the cold breath of that November morning, an odd and yet an attractive crew. An air of gaiety pervaded them. They affected to have no cares, and made merry over the trials and tribulations of their nomadic life. They were curiously, yet amiably, artificial; histrionic in their manner of discharging the most commonplace of functions; exaggerated in their gestures; stilted and affected in their speech. They seemed, indeed, to belong to a world apart, a world of unreality which became real only on the planks of their stage, in the glare of their footlights. Good-fellowship bound them one to another; and Andre-Louis reflected cynically that this harmony amongst them might be the cause of their apparent unreality. In the real world, greedy striving and the emulation of acquisitiveness preclude such amity as was present here. They numbered exactly eleven, three women and eight men; and they addressed each other by their stage names: names which denoted their several types, and never--or only very slightly--varied, no matter what might be the play that they performed. “We are,” Pantaloon informed him, “one of those few remaining staunch bands of real players, who uphold the traditions of the old Italian Commedia dell’ Arte. Not for us to vex our memories and stultify our wit with the stilted phrases that are the fruit of a wretched author’s lucubrations. Each of us is in detail his own author in a measure as he develops the part assigned to him. We are improvisers--improvisers of the old and noble Italian school.” “I had guessed as much,” said Andre-Louis, “when I discovered you rehearsing your improvisations.” Pantaloon frowned.