Scaramouche: A Romance of the French RevolutionSabatini, Rafael
History
Scaramouche: A Romance of the French Revolution
Sabatini, Rafael
Adventure stories; France -- History -- Revolution, 1789-1799 -- Fiction; Love stories; War stories
“You insult the memory of Moliere, the greatest ornament of our stage,
one of the greatest ornaments of our nation, when you suggest that there
is vileness in doing that which he never hesitated to do, which no great
author yet has hesitated to do. You cannot suppose that Moliere ever
troubled himself to be original in the matter of ideas. You cannot
suppose that the stories he tells in his plays have never been told
before. They were culled, as you very well know--though you seem
momentarily to have forgotten it, and it is therefore necessary that
I should remind you--they were culled, many of them, from the Italian
authors, who themselves had culled them Heaven alone knows where.
Moliere took those old stories and retold them in his own language. That
is precisely what I am suggesting that you should do. Your company is a
company of improvisers. You supply the dialogue as you proceed, which
is rather more than Moliere ever attempted. You may, if you prefer
it--though it would seem to me to be yielding to an excess of scruple--go
straight to Boccaccio or Sacchetti. But even then you cannot be sure
that you have reached the sources.”
Andre-Louis came off with flying colours after that. You see what a
debater was lost in him; how nimble he was in the art of making white
look black. The company was impressed, and no one more that M. Binet,
who found himself supplied with a crushing argument against those who in
future might tax him with the impudent plagiarisms which he undoubtedly
perpetrated. He retired in the best order he could from the position he
had taken up at the outset.
“So that you think,” he said, at the end of a long outburst of
agreement, “you think that our story of ‘The Heartless Father’ could be
enriched by dipping into ‘Monsieur de Pourceaugnac,’ to which I confess
upon reflection that it may present certain superficial resemblances?”
“I do; most certainly I do--always provided that you do so judiciously.
Times have changed since Moliere.” It was as a consequence of this that
Binet retired soon after, taking Andre-Louis with him. The pair sat
together late that night, and were again in close communion throughout
the whole of Sunday morning.
Public-domain text, read in full here on John Shaqi.
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