Leaving the car in a deep cutting of the hills and instructing the driver
to await the return of one or other of them at a wayside farmstead a mile
back, the three adventurers followed Spurge into the wood which led to
the top of the Beaver's Glen. The poacher guided them onward by narrow
and winding tracks through the undergrowth for a good half-mile; then he
led them through thickets in which there was no paths at all; finally,
after a gradual and cautious advance behind a high hedge of dense
evergreen, he halted them at a corner of the wood and motioned them to
look out through a loosely-laced network of branches.
"Here we are!" he whispered. "Tower--Reaver's Glen--sea in the distance.
Lone spot, ain't it, gentlemen?"
Copplestone and Gilling, who had never seen this part of the coast
before, looked out on the scene with lively interest. It was certainly a
prospect of romance and of wild, almost savage beauty on which they
gazed. Immediately in front of them, at a distance of twenty to thirty
yards, stood the old peel tower, a solid square mass of grey stone,
intact as to its base and its middle stories, ruinous and crumbling from
thence to what was left of its battlements and the turret tower at one
angle. The fallen stone lay in irregular heaps on the ground at its foot;
all around it were clumps of furze and bramble. From the level plateau on
which it stood the Glen fell away in horseshoe formation gradually
narrowing and descending until it terminated in a thick covert of fir and
pine that ran down to the land end of the cove of which Spurge had told
them. And beyond that stretched the wide expanse of sea, with here and
there a red-sailed fishing boat tossing restlessly on the white-capped
waves, and over that and the land was a chill silence, broken only by the
occasional cry of the sea-birds and the bleating of the mountain sheep.
"A lone spot indeed!" said Gilling in a whisper. "Spurge, where is that
stuff hidden?"
"Other side of the tower--in an angle of the old courtyard," replied
Spurge, "Can't see the spot from here."
"And where's that road you told us about?" asked Copplestone. "The
moor road?"
"Top o' the bank yonder--beyond the tower," said Spurge. "Runs round
yonder corner o' this wood and goes right round it to High Nick, where
we've cut across from. Hush now, all of you, gentlemen--I'm going to
signal Jim."
Screwing up his mobile face into a strange contortion, Spurge emitted
from his puckered lips a queer cry--a cry as of some trapped animal--so
shrill and realistic that his hearers started.
"What on earth's that represent?" asked Gilling. "It's blood-curdling?"
"Hare, with a stoat's teeth in its neck," answered Spurge. "H'sh--I'll
call him again."
No answer came to the first nor to the second summons--after a third,
equally unproductive, Spurge looked at his companions with a scared face.
Public-domain text, read in full here on John Shaqi.
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