The bishop wore the same habit as the priest, with the addition of sandals, gloves, a ring, the pastoral staff with a curved head, and the mitre. The chasuble was only worn when celebrating the Holy Communion; on any other ceremonial occasion the cope was worn, _e.g._, when in choir, as in the woodcut on p. 197: or when preaching, as in a picture in the Harl. MS. 1319, engraved in the "Pictorial History of England," vol. i. 806; or when attending parliament. In illuminated MSS. bishops are very commonly represented dressed in alb and cope only, and this seems to have been their most usual habit. If the bishop were a monk or friar he wore the cope over the robe proper to his order. We might multiply indefinitely references to representations of bishops and other ecclesiastics in the illuminated MS. We will content ourselves with one reference to a beautifully drawn figure in the psalter of the close of the 14th century (Harl. 2,897, f. 380). In the early fourteenth-century MS. (Royal, 14 E. iii. at ff. 16 and 25), we find two representations of a bishop in what we may suppose was his ordinary unofficial costume; he wears a blue-grey robe and hood with empty falling sleeves, through which appear the blue sleeves of his under robe; it is the ordinary civil and clerical costume of the period, but he is marked out as a bishop by a white mitre. In the Pontifical of the middle of the fifteenth century, already referred to (Egerton, 1067) at f. 186 in the representation of the ceremony of the feet-washing, the bishop in a long black sleeveless robe[294] over a white alb, and a biretta. The earliest form of the mitre was that of a simple cap, like a skull-cap, of which there is a representation, giving in many respects a clear and elaborate picture of the episcopal robes, in a woodcut of St. Dunstan in the MS. Cotton, Claudius A. iii.[295] In this early shape it has already the infulæ--two narrow bands hanging down behind. In the twelfth century it is in the form of a large cap, with a depression in the middle, which produces two blunt horns at the sides. There is a good representation of this in the MS. Cotton, Nero C. iv. f. 34, which has been engraved by Strutt, Shaw, and Dr. Rock. In the Harl. MS. 5,102, f. 17, is a picture of the entombment of an archbishop, in which is well shown the transition shape of the mitre from the twelfth century, already described, to the cleft and pointed shape which was used in the thirteenth and fourteenth centuries. The depression is here deepened into a partial cleft, and the mitre is put on so that the horns come before and behind, instead of at the sides, but the horns are still blunt and rounded. The archbishop's gloves in this picture are white, like the mitre, and in shape are like mittens, _i.e._, not divided into fingers.