And in inventories of church furniture in the Middle Ages we find organs enumerated:[339] Not only the organ, but all instruments in common use, were probably also used in the celebration of divine worship. We meet with repeated instances in which David singing the psalms is accompanied by a band of musicians, as in the Saxon illumination on p. 272, and again in the initial letter of this chapter, which is taken from a psalter of early thirteenth-century date in the British Museum (Harl. 5,102). The men of those days were in some respects much more real and practical, less sentimental and transcendental, than we in religious matters. We must have everything relating to divine worship of different form and fashion from ordinary domestic appliances, and think it irreverent to use things of ordinary domestic fashion for religious uses, or to have domestic things in the shapes of what we call religious art. They had only one art, the best they knew, for all purposes; and they were content to apply the best of that to the service of God. Thus to their minds it would not appear at all unseemly that the minstrels who had accompanied the divine service in chapel should walk straight out of chapel into the hall, and tune their instruments anew to play symphonies, or accompany chansons during dinner, or enliven the dance in the great chamber in the evening--no more unseemly than that their master and his family should dine and dance as well as pray. The chapel royal establishment of Edward IV. consisted of trumpets, shalms, and pipes, as well as voices; and we may be quite sure that the custom of the royal chapel was imitated by noblemen and gentlemen of estate. A good fifteenth-century picture of the interior of a church, showing the organ in a gallery, is engraved in the "Annales Archæologiques," vol. xii., p. 349. A very good representation of an organ of the latter part of the sixteenth century (1582) is in the fine MS. Plut. 3,469, folio 27.[340] An organ of about this date is still preserved in that most interesting old Manor House, Igtham Mote, in Kent. They were sometimes placed at the side of the chancel, sometimes in the rood-loft, which occupied the same relative position in the choir which the music gallery did in the hall.