The Phrygian-shaped helmet, seen in the single figure on p. 314 is also a very common form; and the curious crested helmet worn by all the warriors in our first two wood-cuts of Saxon soldiers is also common. In some cases the conical helmet was of iron, but perhaps more frequently it was of leather, strengthened with a frame of iron. In the group of four foot soldiers in our first wood-cut, it will be observed that the men wear tunics, hose, and shoes; the multiplicity of folds and fluttering ends in the drapery is a characteristic of Saxon art, but the spirit and elegance of the heads is very unusual and very admirable. Our first three illustrations are taken from a beautiful little MS. of Prudentius in the Cottonian Library, known under the press mark, Cleopatra C. IV. The illuminations in this MS. are very clearly and skilfully drawn with the pen; indeed, many of them are designed with so much spirit and skill and grace, as to make them not only of antiquarian interest, but also of high artistic merit. The subjects are chiefly illustrations of Scripture history or of allegorical fable; but, thanks to the custom which prevailed throughout the Middle Ages of representing all such subjects in contemporary costume, and according to contemporary manners and customs, the Jewish patriarchs and their servants afford us perfectly correct representations of Saxon thanes and their _cheorls_; Goliath, a perfect picture of a Saxon warrior, armed _cap-à-pied_; and Pharaoh and his nobles of a Saxon Basileus and his witan. Thus, our second wood-cut is an illustration of the incident of Lot and his family being carried away captives by the Canaanitish kings after their successful raid against the cities of the plain; but it puts before our eyes a group of the armed retainers of a Saxon king on a military expedition. It will be seen that they wear the ordinary Saxon civil costume, a tunic and cloak; that they are all armed with the spear, all wear crested helmets; and the last of the group carries a round shield suspended at his back. The variety of attitude, the spirit and life of the figures, and the skill and gracefulness of the drawing, are admirable. Another very valuable series of illustrations of Saxon military costume will be found in a MS. of Ælfric's Paraphrase of the Pentateuch and Joshua, in the British Museum (Cleopatra B. IV.); at folio 25, for example, we have a representation of Abraham pursuing the five kings in order to rescue Lot: in the version of the Saxon artist the patriarch and his Arab servants are translated into a Saxon thane and his house carles, who are represented marching in a long array which takes up two bands of drawing across the vellum page. [Illustration: _Saxon Soldier, in Leather Armour._]