i., is a French MS., very full of valuable military drawings, executed probably at the close of the thirteenth century, belonging, however, in the style of its Art and costume, rather to the early part of the next period than to that under consideration. The MS. Addit. 17,687, contains fine and valuable German drawings, full of military authorities, of about the same period as the French MS. last mentioned. [Illustration: _Knight and Men-at-Arms of the end of the Thirteenth Century._] The accompanying wood-cut represents various peculiarities of the armour in use towards the close of the thirteenth century. It is taken from the Sloane MS. 346, which is a metrical Bible. In the original drawing a female figure is kneeling before the warrior, and there is an inscription over the picture, _Abygail placet iram regis David_ (Abigail appeases the anger of King David). So that this group of a thirteenth-century knight and his men-at-arms is intended by the mediæval artist to represent David and his followers on the march to revenge the churlishness of Nabal. The reader will notice the round plates at the elbows and knees, which are the first _visible_ introduction of plate armour--breastplates, worn under the hauberk, had been occasionally used from Saxon times. He will observe, too, the leather gauntlets which David wears, and the curious defences for the shoulders called _ailettes_: also that the shield is hung round the neck by its strap (_guige_), and the sword-belt round the hips, while the surcoat is girded round the waist by a silken cord. The group is also valuable for giving us at a glance three different fashions of helmet. David has a conical bascinet, with a movable visor. The man immediately behind him wears an iron hat, with a wide rim and a raised crest, which is not at all unusual at this period. The other two men wear the globular helmet, the most common head-defence of the time. [Illustration: _Knight of the end of the Thirteenth Century._] The next cut is a spirited little sketch of a mounted knight, from the same MS. The horse, it may be admitted, is very like those which children draw nowadays, but it has more life in it than most of the drawings of that day; and the way in which the knight sits his horse is much more artistic. The picture shows the equipment of the knight very clearly, and it is specially valuable as an early example of horse trappings, and as an authority for the shape of the saddle, with its high pommel and croupe. The inscription over the picture is, _Tharbis defendit urbem Sabea ab impugnanti Moysi_; and over the head of this cavalier is his name _Moyses_--Moses, as a knight of the end of the thirteenth century! CHAPTER III. ARMOUR OF THE FOURTEENTH CENTURY.