Scenes and Characters of the Middle Ages: Third EditionCutts, Edward Lewes
History
Scenes and Characters of the Middle Ages: Third Edition
Cutts, Edward Lewes
Civilization, Medieval; Middle Ages -- Social life and customs
The illustration here given and that on p. 350 are from a MS. which we
cannot quote for the first time without calling special attention to it.
It is a MS. of one of the numerous romances of the King Arthur cycle, the
Romance of the King Meliadus, who was one of the Companions of the Round
Table. The book is profusely illustrated with pictures which are
invaluable to the student of military costume and chivalric customs. They
are by different hands, and not all of the same date, the earlier series
being probably about 1350, the later perhaps as late as near the end of
the century. In both these dates the MS. gives page after page of
large-sized pictures drawn with great spirit, and illustrating every
variety of incident which could take place in single combat and in
tournament, with many scenes of civil and domestic life besides.
Especially there is page after page in which, along the lower portion of
the pages, across the whole width of the book, there are pictures of
tournaments. There is a gallery of spectators along the top, and in some
of these--especially in those at folio 151 v. and 152, which are sketched
in with pen and ink, and left uncoloured--there are more of character and
artistic drawing than the artists of the time are usually believed to have
possessed. Beneath this gallery is a confused mêlée of knights in the very
thickest throng and most energetic action of a tournament. The wood-cut on
p. 348 represents one out of many incidents of a single combat. It does
not do justice to the drawing, and looks tame for want of the colouring of
the original; but it will serve to show the armour and equipment of the
time. The victor knight is habited in a hauberk of banded mail, with
gauntlets of plate, and the legs are cased entirely in plate. The body
armour is covered by a jupon; the tilting helmet has a knight's chapeau
and drapery carrying the lion crest. The armour in the illumination is
silvered to represent metal. The knight's jupon is red, and the trappings
of his helmet red, with a golden lion; his shield bears gules, a lion
rampant argent; the conquered knight's jupon is blue, his shield argent,
two bandlets gules. We see here the way in which the shield was carried,
and the long slender spear couched, in the charge.
[Illustration: _Jousting._]
Public-domain text, read in full here on John Shaqi.
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