Scenes and Characters of the Middle Ages: Third EditionCutts, Edward Lewes
History
Scenes and Characters of the Middle Ages: Third Edition
Cutts, Edward Lewes
Civilization, Medieval; Middle Ages -- Social life and customs
To attempt to represent the knights in their manor-houses and castles
would be to enter upon an essay on the domestic and military architecture
of the Middle Ages, which would be beyond the plan of these sketches of
the mediæval chivalry. The student may find information on the subject in
Mr. Parker's "Domestic Architecture," in Grose's "Military Antiquities,"
in Viollet le Duc's "Architecture du Moyen Age," and scattered over the
publications of the various antiquarian and architectural societies. We
must, however, say a few words as to the way in which the knight defended
his castle when attacked in it, and how he attacked his neighbour's castle
or his enemy's town, in private feud or public war.
It seems to be a common impression that the most formidable aspect of
mediæval war was a charge of knights with vizor down and lance in rest;
and that these gallant cavaliers only pranced their horses round and round
the outer margin of the moat of a mediæval castle, or if they did dismount
and try to take the fortress by assault, would rage in vain against its
thick walls and barred portcullis; as in the accompanying woodcut from a
MS. romance of the early part of the 14th century (Add. 10,292, f. v.,
date A.D. 1316), where the king on his curveting charger couches his lance
against the castle wall, and has only his shield to oppose to the great
stone which is about to be hurled down upon his head. The impression is,
no doubt, due to the fact that many people have read romances, ancient and
modern, which concern themselves with the personal adventures of their
heroes, but have not read mediæval history, which tells--even more than
enough--of battles and sieges. They have only had the knight put before
them--as in the early pages of these chapters--in the pomp and pageantry
of chivalry. They have not seen him as the captain and soldier, directing
and wielding the engines of war.
Suppose the king and his chivalry in the following woodcut to be only
summoning the castle; and suppose them, on receiving a refusal to
surrender, to resolve upon an assault. They retire a few hundred yards and
dismount, and put their horses under the care of a guard. Presently they
return supported by a strong body of archers, who ply the mail-clad
defenders with such a hail of arrows that they are driven to seek shelter
behind the battlements. Seizing that moment, a party of camp followers run
forward with a couple of planks, which they throw over the moat to make a
temporary bridge. They are across in an instant, and place scaling-ladders
against the walls. The knights, following close at their heels, mount
rapidly, each man carrying his shield over his head, so that the bare
ladder is converted into a covered stair, from whose shield-roof arrows
glint and stones roll off innocuous. It is easy to see that a body of the
enemy might thus, in a few minutes, effect a lodgment on the castle-wall,
and open a way for the whole party of assailants into the interior.
Public-domain text, read in full here on John Shaqi.
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