Scenes and Characters, or, Eighteen Months at BeechcroftYonge, Charlotte M. (Charlotte Mary)
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Scenes and Characters, or, Eighteen Months at Beechcroft
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Social life and customs -- 19th century -- Fiction
This was very distressing, but still Claude scarcely thought it accounted
for the change that had taken place in Lilias. Her cheek was pale, her
eye heavy, her voice had lost its merry tone; Claude knew that she had
had much to grieve her, but he was as yet far from suspecting how she was
overworked and harassed. He spoke of Eleanor’s return, and she did not
brighten; she smiled sadly at his attempts to cheer her, and he became
more and more anxious about her. He was not long in discovering what was
the matter.
The second day after his return Robert told them at the churchyard gate
that Tom Naylor was beginning to mend, and this seemed to be a great
comfort to Lily, who walked home with a blither step than usual. Claude
betook himself to the study, and saw no more of his sisters till two
o’clock, when Lily appeared, with the languid, dejected look which she
had lately worn, and seemed to find it quite an effort to keep the tears
out of her eyes. Ada and Phyllis were in very high spirits, because they
were going to Raynham with Emily and Jane, and at every speech of Ada’s
Lily looked more grieved. After the Raynham party were gone Claude began
to look for Lily. He found her in her room, an evening dress spread on
the bed, a roll of ribbon in one hand, and with the other supporting her
forehead, while tears were slowly rolling down her cheeks.
‘Lily, my dear, what is the matter?’
‘Oh! nothing, nothing, Claude,’ said she, quickly.
‘Nothing! no, that is not true. Tell me, Lily. You have been
disconsolate ever since I came home, and I will not let it go on so. No
answer? Then am I to suppose that these new pearlins are the cause of
her sorrow? Come, Lily, be like yourself, and speak. More tears! Here,
drink this water, be yourself again, or I shall be angry and vexed. Now
then, that is right: make an effort, and tell me.’
‘There is nothing to tell,’ said Lily; ‘only you are very kind—I do not
know what is the matter with me—only I have been very foolish of late—and
everything makes me cry.’
‘My poor child, I knew you had not been well. They do not know how to
take care of you, Lily, and I shall take you in hand. I am going to
order the horses, and we will have a gallop over the Downs, and put a
little colour into your cheeks.’
‘No, no, thank you, Claude, I cannot come, indeed I cannot, I have this
work, which must be done to-day.’
‘At work at your finery instead of coming out! You must be altered,
indeed, Lily.’
‘It is not for myself,’ said Lily, ‘but I promised Emily she should have
it ready to wear to-morrow.’
‘Emily, oh? So she is making a slave of you?’
‘No, no, it was a voluntary promise. She does not care about it, only
she would be disappointed, and I have promised.’
‘I hate promises!’ said Claude. ‘Well, what must be, must be, so I will
resign myself to this promise of yours, only do not make such another.
Well, but that was not all; you were not crying about that fine green
thing, were you?’
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