France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
“No, it is a relic of the nabob.--What ill-luck I have, my dear! He was
as yellow as a friend’s smile at a success; I thought he would be dead
in ten months. Pooh! he was a strong as a mountain. Always distrust men
who say they have a liver complaint. I will never listen to a man who
talks of his liver.--I have had too much of livers--who cannot die. My
nabob robbed me; he died without making a will, and the family turned me
out of doors like a leper.--So, then, I said to my fat friend here, ‘Pay
for two!’--You may as well call me Joan of Arc; I have ruined England,
and perhaps I shall die at the stake----”
“Of love?” said Tullia.
“And burnt alive,” answered Esther, and the question made her
thoughtful.
The Baron laughed at all this vulgar nonsense, but he did not always
follow it readily, so that his laughter sounded like the forgotten
crackers that go off after fireworks.
We all live in a sphere of some kind, and the inhabitants of every
sphere are endowed with an equal share of curiosity.
Next evening at the opera, Esther’s reappearance was the great news
behind the scenes. Between two and four in the afternoon all Paris in
the Champs-Elysees had recognized La Torpille, and knew at last who was
the object of the Baron de Nucingen’s passion.
“Do you know,” Blondet remarked to de Marsay in the greenroom at the
opera-house, “that La Torpille vanished the very day after the evening
when we saw her here and recognized her in little Rubempre’s mistress.”
In Paris, as in the provinces, everything is known. The police of the
Rue de Jerusalem are not so efficient as the world itself, for every
one is a spy on every one else, though unconsciously. Carlos had fully
understood the danger of Lucien’s position during and after the episode
of the Rue Taitbout.
No position can be more dreadful than that in which Madame du Val-Noble
now found herself; and the phrase to be on the loose, or, as the
French say, left on foot, expresses it perfectly. The recklessness and
extravagance of these women precludes all care for the future. In that
strange world, far more witty and amusing than might be supposed, only
such women as are not gifted with that perfect beauty which time can
hardly impair, and which is quite unmistakable--only such women, in
short, as can be loved merely as a fancy, ever think of old age and save
a fortune. The handsomer they are, the more improvident they are.
“Are you afraid of growing ugly that you are saving money?” was a speech
of Florine’s to Mariette, which may give a clue to one cause of this
thriftlessness.
Public-domain text, read in full here on John Shaqi.
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