Madame Sechard, who did a great deal of good, with as much judgment as generosity, was equally esteemed and loved. Her beauty, now really splendid, was at the height of its bloom. She was about six-and-twenty, but had preserved all the freshness of youth from living in the tranquillity and abundance of a country life. Still much in love with her husband, she respected him as a clever man, who was modest enough to renounce the display of fame; in short, to complete her portrait, it is enough to say that in her whole existence she had never felt a throb of her heart that was not inspired by her husband or her children. The tax paid to grief by this happy household was, as may be supposed, the deep anxiety caused by Lucien’s career, in which Eve Sechard suspected mysteries, which she dreaded all the more because, during his last visit, Lucien roughly cut short all his sister’s questions by saying that an ambitious man owed no account of his proceedings to any one but himself. In six years Lucien had seen his sister but three times, and had not written her more than six letters. His first visit to La Verberie had been on the occasion of his mother’s death; and his last had been paid with a view to asking the favor of the lie which was so necessary to his advancement. This gave rise to a very serious scene between Monsieur and Madame Sechard and their brother, and left their happy and respected life troubled by the most terrible suspicions. The interior of the house, as much altered as the surroundings, was comfortable without luxury, as will be understood by a glance round the room where the little party were now assembled. A pretty Aubusson carpet, hangings of gray cotton twill bound with green silk brocade, the woodwork painted to imitate Spa wood, carved mahogany furniture covered with gray woolen stuff and green gimp, with flower-stands, gay with flowers in spite of the time of year, presented a very pleasing and homelike aspect. The window curtains, of green brocade, the chimney ornaments, and the mirror frames were untainted by the bad taste that spoils everything in the provinces; and the smallest details, all elegant and appropriate, gave the mind and eye a sense of repose and of poetry which a clever and loving woman can and ought to infuse into her home. Madame Sechard, still in mourning for her father, sat by the fire working at some large piece of tapestry with the help of Madame Kolb, the housekeeper, to whom she intrusted all the minor cares of the household. “A chaise has stopped at the door!” said Courtois, hearing the sound of wheels outside; “and to judge by the clatter of metal, it belongs to these parts----” “Postel and his wife have come to see us, no doubt,” said the doctor. “No,” said Courtois, “the chaise has come from Mansle.” “Montame,” said Kolb, the burly Alsatian we have made acquaintance with in a former volume (_Illusions perdues_), “here is a lawyer from Paris who wants to speak with monsieur.”