Scenes in North Wales: With Historical Illustrations, Legends, and Biographical NoticesWright, G. N. (George Newenham)
History
Scenes in North Wales: With Historical Illustrations, Legends, and Biographical Notices
Wright, G. N. (George Newenham)
Wales, North -- Description and travel
Welsh poetry abounds in alliteration, which is also a characteristic of
Icelandic song, and obviously insinuates a northern origin. The person
of a bard was held sacred, and the laws of Howel Dda enacted, “that
whoever even slightly injured a bard was to pay an eric or fine of six
cows, and one hundred and twenty pence. The murderer of a bard was to
pay one hundred and twenty-six cows.” These bardic laws resembled those
relating to a similar class of persons in Ireland, where it was deemed an
act of sacrilege to seize on the estate of a bard, even for the public
service, and in times of national distress. The officers of the royal
household, both in Wales and Ireland, at this period, consisted of a
_bard_, musician, smith, physician, and huntsman. To an intercourse with
the Irish nation is traceable the introduction of the harp into Cambria.
The Welsh, so late as in the eleventh century, were accustomed to pass
over into that kingdom, and there receive instruction in the bardic
profession. Gryffydd ap Cynan, king of Wales, in 1078, “brought over
from Ireland divers cunning musicians into Wales, from whom is derived in
a manner all the instrumental music that is now there used; as appeareth
as well by the bookes written of the same, as also by the names of the
tunes and measures used among them to this daie.”
An election of bards took place annually, at an assembly of the princes
and chieftains of the nation. Precedence, emolument, and honours,
suitable to their respective merits were then assigned to each. The most
meritorious was solemnly crowned on the Bardic throne, and presented, as
a token of his preeminent genius, with a silver chair. This congress was
usually held at one of the three royal residences of the princes of
Wales, the sovereign himself presiding on the occasion.
Upon the introduction of the harp, Gryffydd determined to restrain the
inordinate vanity of the bards, and to remodel the order. He enacted
laws for their future government, the severity of which is a sufficient
indication of the necessity of their institution. Amongst the penalties
was one of much apparent hardship,—“If a minstrel offended in any of the
recited instances, ‘_every man_’ was appointed an officer of justice, in
such case, with liberty to arrest and inflict discretional punishment,
and authority to seize upon whatever property the offender had about his
person.” Under these regulations, and the auspices of an enlightened
prince, respect for the order was reestablished, and eminent minstrels
again flourished both in North and South Wales.
Public-domain text, read in full here on John Shaqi.
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