Clergy -- Fiction; England -- Social life and customs -- 19th century -- Fiction
She paused, and burst into tears--the first tears she had shed since she
had been at Foxholm. Maynard could not help hurrying towards her, putting
his arm round her, and leaning down to kiss her hair. She nestled to him,
and put up her little mouth to be kissed.
The delicate-tendrilled plant must have something to cling to. The soul
that was born anew to music was born anew to love.
Chapter 21
On the 30th of May 1790, a very pretty sight was seen by the villagers
assembled near the door of Foxholm Church. The sun was bright upon the
dewy grass, the air was alive with the murmur of bees and the trilling of
birds, the bushy blossoming chestnuts and the foamy flowering hedgerows
seemed to be crowding round to learn why the church-bells were ringing so
merrily, as Maynard Gilfil, his face bright with happiness, walked out of
the old Gothic doorway with Tina on his arm. The little face was still
pale, and there was a subdued melancholy in it, as of one who sups with
friends for the last time, and has his ear open for the signal that will
call him away. But the tiny hand rested with the pressure of contented
affection on Maynard’s arm, and the dark eyes met his downward glance
with timid answering love.
There was no train of bridesmaids; only pretty Mrs. Heron leaning on the
arm of a dark-haired young man hitherto unknown in Foxholm, and holding
by the other hand little Ozzy, who exulted less in his new velvet cap and
tunic, than in the notion that he was bridesman to Tin-Tin.
Last of all came a couple whom the villagers eyed yet more eagerly than
the bride and bridegroom: a fine old gentleman, who looked round with
keen glances that cowed the conscious scapegraces among them, and a
stately lady in blue-and-white silk robes, who must surely be like Queen
Charlotte.
‘Well, that theer’s whut I coal a pictur,’ said old ‘Mester’ Ford, a true
Staffordshire patriarch, who leaned on a stick and held his head very
much on one side, with the air of a man who had little hope of the
present generation, but would at all events give it the benefit of his
criticism. ‘Th’ yoong men noo-a-deys, the’re poor squashy things--the’
looke well anoof, but the’ woon’t wear, the’ woon’t wear. Theer’s ne’er
un’ll carry his ’ears like that Sir Cris’fer Chuvrell.’
‘Ull bet ye two pots,’ said another of the seniors, ‘as that yoongster
a-walkin’ wi’ th’ parson’s wife ’ll be Sir Cris’fer’s son--he fevours
him.’
‘Nay, yae’ll bet that wi’ as big a fule as yersen; hae’s noo son at all.
As I oonderstan’, hae’s the nevey as is’ t’ heir th’ esteate. The
coochman as puts oop at th’ White Hoss tellt me as theer war another
nevey, a deal finer chap t’ looke at nor this un, as died in a fit, all
on a soodden, an’ soo this here yoong un’s got upo’ th’ perch istid.’
Public-domain text, read in full here on John Shaqi.
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