No one could deny that Evangelicalism had wrought a change for the better in Rebecca Linnet’s person--not even Miss Pratt, the thin stiff lady in spectacles, seated opposite to her, who always had a peculiar repulsion for ‘females with a gross habit of body’. Miss Pratt was an old maid; but that is a no more definite description than if I had said she was in the autumn of life. Was it autumn when the orchards are fragrant with apples, or autumn when the oaks are brown, or autumn when the last yellow leaves are fluttering in the chill breeze? The young ladies in Milby would have told you that the Miss Linnets were old maids; but the Miss Linnets were to Miss Pratt what the apple-scented September is to the bare, nipping days of late November. The Miss Linnets were in that temperate zone of old-maidism, when a woman will not say but that if a man of suitable years and character were to offer himself, she might be induced to tread the remainder of life’s vale in company with him; Miss Pratt was in that arctic region where a woman is confident that at no time of life would she have consented to give up her liberty, and that she has never seen the man whom she would engage to honour and obey. If the Miss Linnets were old maids, they were old maids with natural ringlets and embonpoint, not to say obesity; Miss Pratt was an old maid with a cap, a braided ‘front’, a backbone and appendages. Miss Pratt was the one blue-stocking of Milby, possessing, she said, no less than five hundred volumes, competent, as her brother the doctor often observed, to conduct a conversation on any topic whatever, and occasionally dabbling a little in authorship, though it was understood that she had never put forth the full powers of her mind in print. Her ‘Letters to a Young Man on his Entrance into Life’, and ‘De Courcy, or the Rash Promise, a Tale for Youth’, were mere trifles which she had been induced to publish because they were calculated for popular utility, but they were nothing to what she had for years had by her in manuscript. Her latest production had been Six Stanzas, addressed to the Rev. Edgar Tryan, printed on glazed paper with a neat border, and beginning, ‘Forward, young wrestler for the truth!’