Clergy -- Fiction; England -- Social life and customs -- 19th century -- Fiction
The Rev. Mr. Pickard, indeed, of the Independent Meeting, had stated, in
a sermon preached at Rotheby, for the reduction of a debt on New Zion,
built, with an exuberance of faith and a deficiency of funds, by seceders
from the original Zion, that he lived in a parish where the Vicar was
very ‘dark’, and in the prayers he addressed to his own congregation, he
was in the habit of comprehensively alluding to the parishioners outside
the chapel walls, as those who, ‘Gallio-like, cared for none of these
things’. But I need hardly say that no church-goer ever came within
earshot of Mr. Pickard.
It was not to the Shepperton farmers only that Mr. Gilfil’s society was
acceptable; he was a welcome guest at some of the best houses in that
part of the country. Old Sir Jasper Sitwell would have been glad to see
him every week; and if you had seen him conducting Lady Sitwell in to
dinner, or had heard him talking to her with quaint yet graceful
gallantry, you would have inferred that the earlier period of his life
had been passed in more stately society than could be found in
Shepperton, and that his slipshod chat and homely manners were but like
weather-stains on a fine old block of marble, allowing you still to see
here and there the fineness of the grain, and the delicacy of the
original tint. But in his later years these visits became a little too
troublesome to the old gentleman, and he was rarely to be found anywhere
of an evening beyond the bounds of his own parish--most frequently,
indeed, by the side of his own sitting-room fire, smoking his pipe, and
maintaining the pleasing antithesis of dryness and moisture by an
occasional sip of gin-and-water.
Here I am aware that I have run the risk of alienating all my refined
lady-readers, and utterly annihilating any curiosity they may have felt
to know the details of Mr. Gilfil’s love-story. ‘Gin-and-water! foh! you
may as well ask us to interest ourselves in the romance of a
tallow-chandler, who mingles the image of his beloved with short dips and
moulds.’
Public-domain text, read in full here on John Shaqi.
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