Clergy -- Fiction; England -- Social life and customs -- 19th century -- Fiction
She had made her way along the cloistered passages, now lighted here and
there by a small oil-lamp, to the grand-staircase, which led directly to
a gallery running along the whole eastern side of the building, where it
was her habit to walk when she wished to be alone. The bright moonlight
was streaming through the windows, throwing into strange light and shadow
the heterogeneous objects that lined the long walls: Greek statues and
busts of Roman emperors; low cabinets filled with curiosities, natural
and antiquarian; tropical birds and huge horns of beasts; Hindoo gods and
strange shells; swords and daggers, and bits of chain-armour; Roman lamps
and tiny models of Greek temples; and, above all these, queer old family
portraits--of little boys and girls, once the hope of the Cheverels, with
close-shaven heads imprisoned in stiff ruffs--of faded, pink-faced
ladies, with rudimentary features and highly-developed head-dresses--of
gallant gentlemen, with high hips, high shoulders, and red pointed
beards.
Here, on rainy days, Sir Christopher and his lady took their promenade,
and here billiards were played; but, in the evening, it was forsaken by
all except Caterina--and, sometimes, one other person.
She paced up and down in the moonlight, her pale face and thin
white-robed form making her look like the ghost of some former Lady
Cheverel come to revisit the glimpses of the moon.
By-and-by she paused opposite the broad window above the portico, and
looked out on the long vista of turf and trees now stretching chill and
saddened in the moonlight.
Suddenly a breath of warmth and roses seemed to float towards her, and an
arm stole gently round her waist, while a soft hand took up her tiny
fingers. Caterina felt an electric thrill, and was motionless for one
long moment; then she pushed away the arm and hand, and, turning round,
lifted up to the face that hung over her eyes full of tenderness and
reproach. The fawn-like unconsciousness was gone, and in that one look
were the ground tones of poor little Caterina’s nature--intense love and
fierce jealousy.
‘Why do you push me away, Tina?’ said Captain Wybrow in a half-whisper;
‘are you angry with me for what a hard fate puts upon me? Would you have
me cross my uncle--who has done so much for us both--in his dearest wish?
You know I have duties--we both have duties--before which feeling must be
sacrificed.’
‘Yes, yes,’ said Caterina, stamping her foot, and turning away her head;
‘don’t tell me what I know already.’
Public-domain text, read in full here on John Shaqi.
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