Scheherazade: a London night's entertainmentWarden, Florence
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Scheherazade: a London night's entertainment
Warden, Florence
English fiction -- 19th century
she shook him off, saying imperiously:
“Go on. I like it. It helps me to think.”
Perhaps this was scarcely the comment he hoped or expected, but the
repulse was passionate, not unsympathetic or chilling; and George laid
his hands obediently again on the instrument with only one longing,
inspiring look at the lovely, flexible face. Then he sang Beethoven’s
“Adelaide,” with a strange effect. For the well-worn song was quite
new to Nouna, and as it proceeded it seemed to George that the spirit
of the passionate music called to her and found an answering echo, for
her long black eyes grew soft and liquid, like water under the trees
on a summer night, and when the last word was sung and the last note
played, she lifted herself in her chair, and held out her arms in
irresistible invitation.
“What does the song make you feel?” he asked, whispering, with his
arms round her. He began already rashly to feel assured that the
low-minded sensual Rahas was wrong; she must have a soul, since she
was so susceptible to fine music; than which conclusion nothing could
be more futile, as a more enlarged artistic acquaintance would have
proved to him.
“It makes me feel that I love you,” she answered, unconsciously
touching the root of many pretty fallacies concerning the noble
influence of music on devotion. For if she had been better educated
she would have said “it raised her, took her out of herself,” and
would have delayed her illustration of the fact that it only raised
her far enough to throw her in the arms of the nearest affectionately
disposed person.
George felt rather disappointed, having founded his ideas of women
upon a ceremonious acquaintance with less ingenuous specimens of the
sex. But if she was more unsophisticated than the everyday young
ladies he had met, she was certainly more bewitching, and presently
the thoughtful mood came over her again, and she looked up into his
face with the searching expression that had shone in her eyes when she
first came to him at the piano.
“I have been looking at you while you played, and I have been
thinking,” she said gravely.
“Well, what did you think?”
“I have been thinking that we shall not be happy.”
George was at heart rather startled. The words echoed too strongly
certain misgivings which had from time to time oppressed him in the
course of the day for him not to feel that they bore some of the
weight of sagacious prediction. But he would not for the world have
acknowledged this to her.
Public-domain text, read in full here on John Shaqi.
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