Scheherazade: a London night's entertainmentWarden, Florence
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Scheherazade: a London night's entertainment
Warden, Florence
English fiction -- 19th century
It was not by the man’s choice, but the girl’s, that he and Ella found
themselves together. At the present time there was only one woman in
Lauriston’s world, and in his absorption in his wife the ungrateful
fellow was incapable even of feeling his old friendly pleasure in
Ella’s society. Her interest in him, on the other hand, as is the way
with that splendid institution for the comfort and consolation of
man--plain women, had grown tenfold stronger since he had lowered
himself to the usual dead level of his foolish sex, by marrying
through his eyes. To Ella this downfall was quite tragic; she had
thought and hoped so much for him; he had feeling, sense, ambition,
was, in fact, not the mere beautifully turned out figure-head of a man
who, under various disguises of light or dark complexion, slim or
heavy build, was continually saying to her the same commonplaces,
betraying to her the same idea-less vacuity, at dinner, ball, and
garden-party. Yet here he was, bound for life, and by his own choice,
to a beautiful pet animal, with all the fascinating ways of a kitten,
who could gambol and scratch, and bask in warmth and shiver in cold,
and whom nevertheless he undoubtedly worshipped. Ella, whose mind was
of an intellectual cast, and in whom the passions had as yet only
developed in an ardent but hazy adoration of dead-and-gone heroes,
very naturally underrated the strength of one side of a man’s nature,
and was cast down when the creature whose sympathetic comprehension of
her highest aspirations had made her raise him to a demi-god proved to
be in truth only a very man. She fancied, poor child, that he showed
deterioration already; when she reminded him at dinner that she had
not yet returned a book of Emerson’s he had lent her, George laughed
carelessly, and said he had forgotten all about it.
“Don’t you remember you particularly advised me to read the articles
on ‘Goethe’ and ‘Napoleon’?” she asked rather acidly.
“Oh, yes, they’re very good,” said he, with a man’s irritating
frivolity, smiling at his wife, who was shutting one eye and holding
her glass of claret up to the light, in imitation of an elderly
connoisseur, for the amusement of Dicky. Then, perceiving in a pause
that he had offended Ella, he hastened to say penitently: “I haven’t
done much reading lately; but you have, I suppose; you are always so
good.”
“I don’t read because I am _good_, but because I like it,” she
answered coldly.
And George, reflecting on the oddity of Ella’s trying to improve him
as he had tried to improve Nouna, had taken the snub meekly as a bolt
of retributive providence.
But when she got an opportunity of speech with him alone in the
verandah, in a rather melancholy and remorseful frame of mind, she
“had her say” after her sex’s fashion.
Public-domain text, read in full here on John Shaqi.
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