Scheherazade: a London night's entertainmentWarden, Florence
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Scheherazade: a London night's entertainment
Warden, Florence
English fiction -- 19th century
“I didn’t come here to quarrel with you, laddie,” he said gravely.
“When you find what did bring me, you won’t be so loud. Tell me, why
do you call her the ‘Princess?’ Who’s the Prince?”
His thoughts ran again on Rahas.
Dicky glanced round the lawn.
“He isn’t about now,” he said carelessly. “He’s a little dried-up
German with dyed hair and moustache; seventy, if he’s a day.”
“Did you ever meet here a man named Rahas?”
“Rahas! Oh, yes. He’s a sort of commission agent, who gets any Indian
thing you want, from a pound of Assam tea to an elephant. Why, you
know him, of course; for he lived in the same house with Mrs.
Lauriston before you married her,” rattled on Dicky, encouraged by
George’s lenity.
“Does he ever speak of her--my wife?”
“No, he won’t. I began to chaff him once; only a harmless word or
two,” he went on hastily, seeing a change in his companion’s face,
“And he--well, he got all sorts of dark colours, and his eyes spat
fire. I think he once went in for being a sort of rival, you know--at
least, I mean before you knew her.”
“Have you seen him to-day?”
“Yes, I think he’s talking to Chl--the Princess--now somewhere. No, by
Jove, here she is.”
From where they were standing in the verandah they could hear the
rustle of the silver fringe, and the tipity-tap of high-heeled shoes
on the polished floor. She was a little woman, this famous personage,
though it was only by comparison that you could discover the fact; for
she bore herself with the easy dignity of a queen, and before he saw
more of her than a golden head and a robe of buttercup silk peeping
between draperies of black lace, he knew without debate that he had
seen so much grace of movement in no English woman, and only in one
who was not English. As she advanced through the long room in a very
leisurely manner, a couple of spaniels playing about her feet, a
painted fan in her hands, he found that he was waiting for her near
approach with something stronger than curiosity. First his involuntary
admiration of her carriage was changed suddenly, without warning or
definite thought, into a sick disgust that grew, with the next few
steps she took, into horror equally without cause, without
explanation. Then his blood stood still, hot and fiery, in his veins,
and seemed to be scorching his body, as the horror became in a moment
a definite, devilish dread, so ghastly that the mind refused it as a
thought, and the lips were paralysed and could give it no vent. When
at last she reached the open window, and the mild evening light showed
him her face without disguise, he saw nothing but the outline he had
seen in silhouette against the window in his own house on the day he
and Nouna entered it.
His own house! Great heavens, no. This woman’s house; bought with the
foul earnings of her infamous calling!
For Nouna’s mother was Chloris White.
Public-domain text, read in full here on John Shaqi.
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