Scheherazade: a London night's entertainmentWarden, Florence
General
Scheherazade: a London night's entertainment
Warden, Florence
English fiction -- 19th century
Lauriston would not be cheated out of the rags of comfort he had
collected for himself, and Lord Florencecourt was obliged to leave him
without even discovering how small the income was to which the young
fellow was trusting. The money he had inherited from his aunt--all he
had to depend on besides what his own work could produce--brought him
in only a little over a hundred a year; and he had even been obliged
to encroach upon next year’s income in the early days of his marriage,
when it seemed easier to trust to the literary work he had been
promised for the future than to refuse his new-made wife the pretty
trifles she set her heart upon. Now the idea of making money by
writing again occurred to him, and pricked him to instant action with
the thought that something might still be made of life if Nouna could
only be induced to be happy in her changed circumstances. This was
Lauriston’s weak side. He knew that if Chloris White chose to be as
bad as her word, and to excite Rahas’s evil thirst for Nouna’s beauty,
he should have to enter into a conflict with a stealthy and
unscrupulous enemy, the thought of whose underhand weapons filled him
with fury and loathing. He must get away with his wife at once, as
secretly as he could, trusting that the mother might overpower the
fiend in Chloris, and induce her to leave her child safe in the care
of a man whom she must at least respect. In the meantime the change in
their circumstances must be made known to Nouna without delay.
George returned to the big house which was so detestably impregnated
with the thought of Chloris and her vilely earned money, and inquiring
for his wife, learnt that she was in her bath. This was with Nouna by
no means the perfunctory daily ceremony of Europeans, but was a
luxurious pleasure in which she spent many hours of the hot summer
days, having had a room fitted up to recall, as far as possible, her
dim half-imagined memories of the cool inner courts of an Indian
palace. George knocked at the door and Nouna, recognising the tread,
in a timid and uncertain voice bade him come in. The room was paved
and wainscoted with tiles; the bath, a large one six feet square, but
only three deep, was sunk into the floor with two steps down into the
water on all the sides, the whole being lined with sea-green tiles
that gave a pretty tint to the water. A lamp hung in brass chains from
the ceiling; a long mirror reaching down to the ground occupied the
middle of the wall. A sofa, a rug, a table with fruit and coffee, and
a little window conservatory with thin lace curtains before it, were
all the rest of the furniture. Nouna, in a blue and white cotton
garment which was no great encumbrance, was peering up from the corner
of the bath furthest from the door like a frightened water-nix. As
George came over to her, she made straight for the opposite corner,
and seeing that she did not mean to be approached nearer, he moved
away from the bath and sat down on the sofa.
Public-domain text, read in full here on John Shaqi.
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